AGENDA Debuts ‘Age of Power’ Collector’s Issue #4 by Kaylene Peoples, honoring cultural icons and fashion masters; dedicated to co-founder Lee L. Peoples

AGENDA-COLLECTORS-ISSUE-4-AGE-OF-POWER-COVER
For Immediate Release:
Los Angeles, CA | 11/27/2025
Featuring a cover story by Shahada Karim and runway photography by Arun Nevader, the issue unfolds through full fashion features led by Kevan Hall’s 2026 Look Book, an editorial on Epperson (Project Runway alum) and Black Design Collective’s Kutula. Cultural spotlights include Kim Novak’s art, Lisa Lu, and Lana Ogilvie, alongside explorations of Mature Runway and the influence of fashion icons Iris Apfel and Lyn Slater (Accidental Icon). Reflections on influence from Anna Wintour and Michael Feinstein align with the closing Fashion Archives tribute, honoring designers we lost too soon—from Vivienne Westwood to Giorgio Armani.

 

Los Angeles, CA, November 27, 2025 /PRNewswire-PRWeb/ —

 

AGENDA announces the release of its landmark ‘Age of Power’ Collector’s Issue #4, a masterfully curated print edition exploring the evolution of influence across fashion, culture, legacy, and visionary leadership. Edited and published by Kaylene Peoples, a multi-award-winning creative known across music, publishing, and visual/editorial arts, and founder of KL Publishing Group, the issue represents her latest large-scale editorial achievement, continuing the legacy of AGENDA’s landmark editions including Issue 8 “Savage Beauty,” Issue 15 “A Mid-Summer’s Dream,” Collector’s Issue #3 “Changemakers,” and Special Edition #3 “Untraditional Bride.” Peoples was recently named among MSN’s “Top Ten Trailblazing Entrepreneurs to Watch in 2025” (Microsoft), further solidifying her position as a leader in modern media (Link).

“The Age of Power issue reflects not simply triumph or status, but the silent authority that comes from perseverance, integrity, and vision,” says Kaylene Peoples. “It is a study of creators and changemakers who did not merely rise to prominence—they defined it. This issue was built to last.” – Kaylene Peoples

The cover story, ‘Age of Power,’ is authored by Shahada Karim, AGENDA’s Beauty Editor, whose narrative direction establishes the issue’s central perspective, focusing on women over 40 who sustain high markers of health through evidence-based nutrition and consistent fitness practices. The oldest participant providing testimony is in her late 60s and in the best physical condition of her life. The stars of this feature include Shahada Karim, Marie Kazadi, Marcia Burke, Marla Adelman, Synovia Jones, and Jackie Benavente, wearing Kevan Hall gowns and Karim’s athleticwear line, Habibi Sport. Shahada Karim also writes an exclusive product review of HIKOTA, a breakthrough Japanese skincare formulation known for bio-stabilization technology and cellular renewal performance.

“Movement is essential. Nourish the body, stay active, and let the natural release of endorphins guide clarity and purpose. Your body is a gift—don’t take it for granted.” — Shahada Karim

Interviewed by Sheryl Aronson, Walk of Fame inductee Lisa Lu (THE JOY LUCK CLUB, CRAZY RICH ASIANS) reflects on her early career, including her breakout performance opposite James Stewart, and on becoming one of the first Asian actresses to secure leading roles in Hollywood. Across her seven-decade career, she has helped open doors for future generations, using her artistry to advocate for visibility and representation on screen.

“Today, at 98 years old, I embrace the star as a testament to resilience and perseverance. I am deeply honored to stand in support of the next generation of rising Asian actors, whose paths I hope will shine even brighter.” — Lisa Lu

The 2025 Collector’s Issue honors visionaries who transformed fashion through conviction, craftsmanship, and cultural influence. The closing Fashion Archives feature, “A Tribute to the Masters We Lost,” reflects on the legacies of Alber Elbaz, Thierry Mugler, Virgil Abloh, Issey Miyake, Valentin Yudashkin, Roberto Cavalli, Vivienne Westwood, and, finally, Giorgio Armani, whose quiet power and continuing refinement conclude the issue. Kevan Hall appears in an in-depth feature with an exclusive preview of his 2026 Look Book, Bloom, with full fashion reviews included inside the issue. “What unites Bloom is Hall’s unwavering control over detail and proportion. From racer dresses to embroidered gowns, every piece holds its own authority, each one infused with Mediterranean softness yet rooted in disciplined construction.” —AGENDA

The Collector’s Issue also includes an editorial review of celebrity designer and former Project Runway alum EPPERSON, whose Spring/Summer 2026 presentation, ‘The Romance of Self,’ was shown. “Harlem designer EPPERSON frames romance as self-love in his Spring/Summer 2026 collection—a poetic statement of resilience, rooted in community and rendered with ruffles, tiers, and ease.”

Additional features include Kaylene Peoples’ Fashion Talk essays, “Anna Wintour: The End of an Era” and “Silver Foxes: A New Aesthetic — Seniors Ruling the Runway,” which examine how maturity, wisdom, and presence are reclaiming the fashion conversation. These pieces explore aging not as limitation but as cultural leverage, redefining visibility and authority on the runway and beyond. The issue also highlights the influence of fashion icons Iris Apfel and Lyn Slater (Accidental Icon), whose careers exemplify longevity, independence, and style without compromise.

Additional highlights feature Ty-Ron Mayes, Fashion Whisperer columnist and Fashion Editor, whose “STYLE EVOLUTION – From Runway to Real Life” examines fashion’s transition from spectacle to personal expression. His editorial direction includes the feature on supermodel and entrepreneur Lana Ogilvie, photographed by Ezequiel de la Rosa, reflecting the evolution of influence from runway to enterprise—an embodiment of power in motion. The section is further supported by AGENDA’s Haute Off the Rack, as well as John Mayes’s photography exhibition UP CLOSE!, which explores identity through proximity, revealing how image shifts when seen without distance or pretense.

AGENDA welcomes back acclaimed photographer Arun Nevader (former live event photographer and Managing Editor of AGENDA 2007–2015), whose runway work continues to define the pacing and visual strength of fashion coverage across multiple seasons. His photography spans Paris, New York, and Vancouver Fashion Weeks, capturing collections with precision and editorial clarity. Recent highlights include mature model Erin Leigh at Paris Fashion Week walking for Sheng Tang Peony, Patrycja Plesiak, Sabokbar, and The Toé (Maison des Métallos, Paris; photography by Arun Nevader/Getty Images, September 25–26, 2024). Coverage extends to New York Fashion Week Powered by Art Hearts Fashion at The Angel Orensanz Foundation (February 6, 2025), featuring Electric Circus NYC, Bad Sisters, Mr. Triple X, Haus of Harleen, and Matilda Couture, alongside Carlos Pineda, Maribel Julcahuanca, Diana Couture, and Pia Bolte. Also featured is Chandra V’s Fall/Winter 2025 collection, Spring Blooms, photographed by Nevader at Vancouver Fashion Week. Each show is presented with full fashion analysis and designer reviews.

Curated by Debbie Lee, the Black Design Collective features include the Upcycle Denim Project 2025—presented at Art Hearts Fashion Los Angeles Spring/Summer 2026—which proved that discarded denim could become a canvas for both artistry and activism. With each stitch, pleat, and patchwork detail, designers transformed pre-loved denim into couture-level garments that tell stories of resilience, culture, and sustainability. “This project isn’t just about fashion,” says TJ Walker. “It’s about reimagining what we already have… creating beauty while honoring the craft.”

Kutula, a standout of the Collective, has dressed politicians, musicians, actors, and families and found its way onto the biggest stage in Hollywood: Marvel’s BLACK PANTHER. Yet for all the sparkle of red carpets and film premieres, Kutula’s heartbeat has always been the same. It is about family. It is about honoring roots. And it is about showing the world what Black excellence looks like when translated through fabric. This interview is insightful and deeply resonant as fans mourned the passing of Chadwick Boseman. “Fashion is not just fabric; it’s culture, identity, memory,” Myumbo said. “Chadwick helped change the imagery of what Black excellence looks like on screen. We’re proud to have played even a small part in that.”

“For Kim Novak’s appearance at the 81st Venice International Film Festival, where she received the Golden Lion for Lifetime Achievement, she wore a Kevan Hall matte jersey gown with hand-painted silk organza accents by artist Ellen Forbes. The silhouette and palette reflected the season’s quiet drama,” Hall noted. “Every moment with Kim was a story.”

As discussed in the issue, Novak has spoken of turning to art not as departure, but as survival. Critics note the unguarded honesty of her work . . . so unlike the perfected screen persona of her youth. Following the loss of her husband, Robert Malloy, in 2020, she reflected, “I didn’t want to be Kim Novak, movie star. I wanted to be Kim Novak, alive.” The issue also includes artistic features on Susan Steinbarth (clay and mosaics) and Meryl Toan (oil painting), alongside a career retrospective and an interview with business leader and runway model Dr. Cindy Banton. A special exploration into generational identity is revealed through the Family Search interview.

Also featured is Wise Remedies, authored by Melanie Wise. In “Lost Anatomy: Rediscovering the Body Beyond the Visible,” Wise examines how modern medicine has increasingly disconnected from the body’s natural intelligence, referencing a time when healing was rooted in energy, balance, and generational knowledge. She notes that for centuries, practitioners of traditional herbal medicine, homeopathy, and faith or energy-based healing achieved proven results by understanding the body beyond its physical form. “Long before clinical diagnostics, true healing came from recognizing the body’s innate wisdom and treating the unseen as carefully as the visible,” says Wise.

The ‘Books to Film’ column by Zac Baldwin, examines adaptations that continue to shape cinematic culture, ranging from GONE WITH THE WIND to JAMES BOND, exploring what worked and what didn’t, unknown facts about the conversions, and great reviews of the successful books-to-movies that we all love.

Another highlight features Michael Feinstein, interviewed by Sheryl Aronson, Arting Around, who discusses his approach to songwriting and production, particularly in GERSHWIN COUNTRY. In the album, he revisits the music of George and Ira Gershwin through the voices of country artists such as Dolly Parton, Alison Krauss, Brad Paisley, and Rosanne Cash. The result is not nostalgia, but transformation.

Printed in full bleed, the 200+ page volume sets a new benchmark for independent luxury press. Every spread is designed with archival standards, with a hardcover edition in development for extended distribution. More than a milestone in independent publishing, this issue holds personal significance. The Collector’s Issue also serves as a tribute to Lee L. Peoples (1940–2025), founding Executive Editor at KL Publishing Group, whose editorial structure helped shape the magazine since its transition to print in 2014. Her legacy remains permanently inscribed on the masthead.

“This issue is deeply important to me. My mother, Lee, co-founded both AGENDA and KL Publishing Group. She helped shape this magazine from the very beginning: first as copy editor, proofreader, book reviewer, and writer of the ‘Syntax Me!’ column, and later as a consultant offering invaluable guidance. Though I am deeply saddened by her passing, I’m comforted, knowing her influence lives on in every page. AGENDA would not be what it is today without her.” — Kaylene Peoples

Available now through Amazon worldwide and select retailers, the ‘Age of Power’ Collector’s Issue #4 maintains uncompromising production standards, with a hardcover adaptation currently in development.

“Power begins with meaning. Use language with purpose; speak clearly, think precisely, and let every word carry intent.” — Lee Peoples, Co-Founder of AGENDA

EDITORIAL TEAM & CONTRIBUTORS

• Kaylene Peoples – Founder, Editor-in-Chief, Creative Director, & Senior Fashion Editor & Writer
• Lee L. Peoples (1940–2025) – Co-Founder & Executive Editor
• First Take PR Photography – Front Cover Art Design and Graphics
• Ezequiel de la Rosa, Photographer – Back Cover
• Ash Gupta  (Joel Wicecarver Asst.)– Lead Photographer, “Age of Power” Feature
• Shahada Karim – Journalist, Cover Story Author & Beauty Editor
• Ty-Ron Mayes – Columnist & Fashion Editor
• Arun Nevader – Runway Photography Lead
• Debbie Lee – Curator, Black Design Collective Feature
• Melanie Wise – Wellness & Cultural Contributor
• Sheryl Aronson – Columnist & Interviewer
• Zac Baldwin – Literary & Film Review Columnist

The late Lee L. Peoples, co-founder of both AGENDA and KL Publishing Group, consulted on this issue and remained a vital guiding force until her passing.

ABOUT:

KL Publishing Group, founded by multi-award-winning composer, publisher, and creative visionary Kaylene Peoples, is the parent company of AGENDA magazine, VIRTUOSO BASS, SCHMOOZE JAZZ, THE PERFORMING ARTIST, and JAZZ INFLUENCERS. As one of the first independent publishers to successfully deploy full-bleed print capabilities on Amazon, KLPG continues to redefine media innovation across fashion, culture, and music with over 22 titles in development. Peoples was named among MSN’s “Top Ten Trailblazing Entrepreneurs to Watch in 2025.”

Release written by: First Take PR

Media Contact

Sean McKenzieAGENDA Magazine1 (213) 576-9946 press@agendamag.comhttps://www.agendamag.com
Zac Baldwin
SOURCE AGENDA Magazine

Editor at Large Bunny Brunel Features the Legendary Ron Carter on the Cover of VIRTUOSO BASS, Issue 2.

VIRTUOSO-BASS-Issue-2-Cover

Inside this long-awaited second issue includes the following: “Bunny Brunel Moments” and his time with the late Chick Corea; interviews with Ron Carter, Buster Williams, Forbassplayersonly.com founder Jon Liebman and his new book FUNK/JAZZ/BASS, and Roger Linn of LinnStrument; a spotlight on Tal Wilkenfeld and a retrospective on Chick Corea that includes Corea’s last interviews; CD reviews with Bakithi Kumalo, Buster Williams, and reviews of “Unconventional Releases” by Paul Chambers, Ray Brown, and Ron Carter (including Carter’s documentary FINDING THE RIGHT NOTES)!

By Sean McKenzie

Since the official launch of Virtuoso Bass back in the fall of 2020, a lot has happened. The pandemic held up plenty of editorial calendars and the legendary Bunny Brunel waited for just the right time to put out the second issue of the much-anticipated lifestyle magazine for iconic jazz bassists. Virtuoso Bass seized the moment to retain Ty-Ron Mayes (America’s Next Top Model, Daymond John, Agenda) and NY photographer Udo Spreitzenbarth (Catherine Zeta-Jones, John Legend) to create the fashion/lifestyle editorial of Ron Carter titled, “Ode to the Upright.”

“A lot has happened since the launch of the first issue back in 2020. I was all geared up to feature some amazing bass talent. Sadly, when covid came, it destroyed a lot of people’s plans and Virtuoso Bass was not immune. But we’re glad to be back with a brand new issue, featuring phenomenal bass players. Being a bassist is not just about supporting the band, even though that is definitely the main purpose, but there is a level a player reaches when suddenly people sit up and take notice. My vision is still to put a spotlight on bass players who’ve made a real impact, are at the top of their game, and even created their own sound and style. Ron Carter is one of those bassists. Buster Williams, another great bassist who plays the upright is such a great musician and another player with an impressive number of performances. And we will always include women bass players just like in our first issue when we profiled female bassist Carol Kaye. This issue we chose another talented woman, Australian-born bassist Tal Wilkenfeld.” —Bunny Brunel

Ron Carter is highly featured throughout the issue with his recent release of the PBS documentary, Ron Carter: Finding the Right Notes. The timing couldn’t have been better. Virtuoso Bass was able to feature a review.

“The most recorded bassist in history tells his story in this intensely moving documentary. This detailed biography gives us an insight into the life of the revered jazz icon.”—Virtuoso Bass

Carter is also included in the reviews of unconventional album releases: Ray Brown Jazz Cello; Ron Carter Dear Miles; and Paul Chambers Bass On Top.

“Working with Bunny Brunel to help him realize his vision for Virtuoso Bass is not only exciting, but it’s a real education. To be able to co-curate such a beautiful periodical and learn about jazz bass on such a deep level is compelling. I met Ron Carter after seeing him perform at the Catalina Jazz Club in Los Angeles back in 2015. Virtuoso Bass has given me the opportunity to experience this legend again. After exploring Carter’s music, watching his documentary, and poring over the images to make the final selection for his lifestyle editorial, I am unbelievably honored to be a part of this incredible history in the making! —Kaylene Peoples, Executive Editor

“What an honor it was to add a little extra sparkle to double bassist Ron Carter’s star. The maestro of jazz has got swag all day long and I wanted to show that he is still ‘mad fly.’ The moment I saw that woven, wool military-style suit with black iridescent flecks intricately peppered through the ensemble by Cillian Atelier, paired with that classic beret, I knew our cover would not only capture the look of the moment, but would also successfully define the tone of Virtuoso Bass, exemplifying the strength of this multi-Grammy Award-winning musical soldier. Carter’s editorial also highlights his “ageless” spirit that has experienced a life that still has so much to offer.” –Ty-Ron Mayes

Included in this issue is Bakithi Kumalo’s review of his CD “What You Hear Is What You See” and Buster Williams’s (& Something More) review of “Audacity. Journalist Sheryl Aronson interviews the revered bassist, Buster Williams, who has performed with a range of musicians including Thelonious Monk, Sonny Stitt, and Sarah Vaughan.

“You create something that is unconstrained; it doesn’t come from talking about this is what we’re going to create. You just start playing, you’re enjoying each other. Another thing is repertoire doesn’t necessarily change so drastically. You’re playing the same tunes, night after night, and because of your creative being, you strive to do something different. And you’re developing, you’re growing. So, the music develops and grows. What happened with Herbie [Hancock] The Sextet, is we were willing to let the music grow to the point where the music was the defining determinant of our actions. Rather than going on the bandstand and saying, ‘okay, this is what we’re going to play tonight.’ No, the music told us what we were going to play, and how it’s going to happen. This can’t happen without trust. And trust like that can’t really happen unless you’ve built a body that the collective reality of each one of you surrenders to. This collective body is what is determining things. This collective body belongs to the music. It wasn’t about any one of us, it was about the trust that we had.” –Buster Williams, Virtuoso Bass

Jon Liebman is the founder of the popular website Forbassplayersonly.com and has interviewed 800 bass players including Sting, Paul McCartney, etc. After publishing nine very successful instructional books for bass players, he recently put out Funk/Jazz/Bass endorsed by Bunny Brunel, Alain Caron, Carlitos Del Puerto, Bakithi Kumalo, and Chuck Rainey with the Foreword by Nathan East. Funk/Jazz/Bass is Liebman’s first non-instructional book that “illustrates the numerous possibilities of playing funk/jazz bass by analyzing how the bass greats have done it.” In Liebman’s interview, he talks about his background as a bassist, and what inspired his website and his latest book. “Funk/Jazz/Bass is ‘a play in the style of’ book. And I tried to get a good cross-section of some of my bass heroes. [There is] Richard Bona, Bryan Bromberg, Meshell Ndegeocello, there are 30 altogether.” –Jon Liebman, Virtuoso Bass

“Remembering Chick Corea” is a retrospective on the legendary keyboardist’s life. Anybody who knows anything about Bunny Brunel, knows his career was launched as a result of his nine years playing with Corea. It was Bunny’s desire to pay tribute to the brilliant fusion pianist who changed his life. Inside issue 2, Virtuoso Bass delves deep, profiling the 23-time Grammy-winning pianist and featuring highlights from Corea’s most recent interviews, his important releases, and his wildly prolific career. And in “Bunny Brunel Moments,” Bunny talks candidly about his time with the keyboard giant whose music will always live on.

Virtuoso Bass investigates two fast-growing Facebook Groups, For Bassists and Jazz Rock Fusion. And if you ever wanted to know who invented the drum machine, interviewed this issue is Roger Linn who tells the backstory that leads up to his latest technology, the LinnStrument.

Virtuoso Bass features contributions from Bunny Brunel (Editor at Large), Kaylene Peoples (Executive Editor), Florentino Buenaventura (Tech Editor), Sean McKenzie (Managing Editor), Sheryl Aronson (Buster Williams Interview); Udo Spreitzenbarth (Cover & Editorial Photographer), Ty-Ron Mayes (Stylist for Cover & Editorial), and Quintell-Williams Carter (Fashion Assistant for Cover & Editorial)

Advertisers: LaBella Strings, SIR Studios, and The Gibson Bass Book

Published by KL Publishing Group, a Verum Company

About Virtuoso Bass:

Bunny Brunel is the Editor at Large of the premier lifestyle magazine for bass players. Launched in 2020, the very first issue featured Bunny Brunel on the cover, Kyle Eastwood (back cover), Eddie Gomez, Carol Kaye, Larry Dunn, Stanley Clarke, and AMPEG SVT. Bunny Brunel talks about his mission for the magazine. “I want to talk about great players, and some of these guys, nobody ever mentions. If the media is going to publicize bass players, they should focus their attention on those great players who are responsible for what followed after,”—Bunny Brunel.

To purchase the print version of Virtuoso Bass Issue 2, visit Amazon.com. To get the digital copy, visit virtusosbass.com. For an exclusive autographed copy of Virtuoso Bass magazine by Bunny Brunel, please visit bunnybrunel.com/bunnys-store

Release Written by Sean McKenzie for First Take PR