Kaylene Peoples Romantic Bossa-Nova Is Breathtaking and a Must See Musical Feast!

Romantic Bossa-Nova-Full Band

During these uncertain times and the unpredictability of opening and closing of concert venues, in between a bit of calm was a concert to be remembered with heartfelt romantic music, equipped with LA’s top musicians. Leading the way was the dynamic Kaylene Peoples with her show titled “Romantic Bossa-Nova” – a breathtaking concert that has found its way into the hearts of serious Bossa-nova enthusiasts on July 17, 2021. For starters, guest performer Larry Dunn, a 7-time Grammy-winning artist and original member/songwriter/keyboardist (formerly) of Earth Wind & Fire opened with a gripping performance of his composition “Runnin’.”

(Gallery Photos by Alex Kluft Photography)

Bunny Brunel (who became famous from his nine-year stint with Chick Corea), the 2-time Grammy-nominated bassist performed on fretless and (his BBEUB) upright bass; and probably wore the most hats that evening (at the Catalina Jazz Club) as musical director. The French-born American sang in Brazilian Portuguese and soloed on his fretless bass on Kaylene Peoples’s intriguing arrangement of “Aguas de Março” (Waters of March) from her Romantic Bossa-Nova 2020 release. With Chad Wackerman (Frank Zappa) on drums and Grammy-nominated Dennis Hamm (Thundercat) on the 9-foot grand piano at the revered Catalina Jazz Club, the musical score was beyond dynamic. Joined by Guitarist Joe Calderon (Dianne Reeves) and percussionist Jon Brooks (Macy Gray), the performers laid the foundation for an evening of “soulful” Bossa-nova, as described by Levy Lee Simon, who was in attendance that night.

Kaylene Peoples Singing (Photo: Sheryl Aronson, SasaPhotos.com)

I am a big fan of Bossa-nova, and it was my first time seeing Kaylene Peoples perform her show; I was blown away by it. Her voice magically elevated and took me on a ride to another place and time. I don’t know many artists—male or female—that can sing and play the flute equally well. And to top it off, the show is so damn s**y. Peoples exudes sensuality with every move, with every sound, with every note. Kaylene’s band with Bunny Brunel and guest artist Larry Dunn is exceptional. I had a great time—I believe a great time was had by all.” –Levy Lee Simon, Multi-Award Winning Writer/Actor/Director/Producer

Photo: Alex Kluft (Dennis Hamm & Larry Dunn
Dennis Hamm & Larry Dunn (Photo: Alex Kluft )

There have been many incarnations of Bossa-nova since the style took off in America with “Desafinado” from Stan Getz and Charlie Byrd’s Jazz Samba in 1962; Dave Brubeck Quartet in January 1962, recording “Vento Fresco” from Bossa Nova USA; and Herbie Mann’s “One Note Samba” from his Brazil, Bossa Nova & Blues in late 1961 or early ’62. (Referenced from Jazz.FM 91 “How Brazil’s Bossa-nova Became All the Rage in ‘60s America,” by Marc Myers.) What Kaylene Peoples brings to the genre is a mix of American soulful tradition, jazz improvisation, and instrumental virtuosity, making “Romantic Bossa-nova” an original embodiment of the style. Kaylene’s love for music started as a child as she learned to solo on the flute while her father, who was a self-taught musician, would play the blues on the piano.

Kaylene Peoples on Flute (Photo: Alex Kluft)
Kaylene Peoples on Flute (Photo: Alex Kluft)

 

I always love to talk about how I got started improvising. Sometimes my dad and I would be up at 3am just jamming, playing my flute until my mom would cut it off! I was just a kid. I had to get up in the morning and go to school! Those are fond memories for me. I thank my dad for pushing meI loved it! And to this day, I incorporate my flute in my compositions and my performances.”—Kaylene Peoples

These early musical experiences inspired Kaylene to compose and arrange music. She went on to study composition with Academy Award-winners Walter Scharf, David Raksin, and Henry Mancini. She’s written symphonies, a ballet, and countless string arrangements throughout her career. This education comes through as a recording artist and can be heard in her jazz albums off of her Boogsey Music label: All Jazzed Up! (2005), The Meaning of Christmas (2013), My Man (2015), Carol of the Bells (2017), and Romantic Bossa-Nova (2020).

Chad Wackerman (Drums), Jon Brooks (Percussion), Nina Harris (BG Vocals), Joe Calderon (Guitar), Larry Dunn (Guest Artist) (Photo: Sheryl Aronson, SasaPhotos.com)

Music speaks to our souls. I can change a scene or change a MOOD. Creating something from nothing, and watching how it affects others is what moves me. Whether it is a standalone composition or a new arrangement on a well-loved song, I love to watch people’s faces when they hear my compositions and arrangements. And countless people have told me that they were blessed by my music. Those testimonies are what moves me the most!” Formidable Women’s Magazine, “Kaylene Peoples – The Renaissance Woman” Interview by Jules Lavallee

Joe Calderon (Photo: Alex Kluft)
Joe Calderon (Photo: Alex Kluft)

 

Kaylene Peoples Romantic Bossa-Nova was inspired by a private concert that featured singer/actress Chase Masterson (Star Trek: Deep Space 9, Leeta) with guest performer Dave Pell (Saxophonist & Founder of West Coast Jazz). Sadly only a few months after that first “Romantic Bossa-Nova” show, Dave Pell passed away. Kaylene Peoples in collaboration with Chase Masterson, and co-composer Bunny Brunel wrote “Dave Pell-Just for Fun.” The song is featured on the Romantic Bossa-Nova CD. So what can one expect from Peoples’s show: “So Nice” and “Spain” off of My Man CD; “Once I Loved,” “How Insensitive,” “One Note Samba,” and “Girl from Ipanema” from All Jazzed Up! Then from Romantic Bossa-Nova, “Berimbau,” “Telephone Song,” “Agua de Beber,” “Corcovado,” “Waters of March,” “Bésame Mucho,” and “Dindi.” Every Kaylene Peoples concert comes with an element of mystique. Whether it’s a surprise giveaway, or a heart-to-heart with an audience member during a set, or maybe even a surprise celebrity guest performer.

Designer Kevan Hall, Luisa Dunn, and Larry Dunn (Photo: Sheryl Aronson, SasaPhotos.com)

 

I was so very blessed to sit in on a couple of songs during this beautiful concert with the extremely talented and beautiful Kaylene whose vocals and flute performance was off the chain, which also featured my buddy, world-renowned bassist Bunny Brunel, along with the other unbelievably top notch musicians! It was truly an honor playing with these extremely talented “peoples”, no pun intended! And I am such a lover of Brazilian music, at any rate, all I can say is I had a ball and y’all should’ve been there!” – Larry Dunn

 

I enjoyed this concert immensely. The ambiance and atmosphere was so relaxing, and seeing happy faces, it was so nice to get out and hear some real live music. The performance was wonderful and dreamy, and being of Latin decent, it was so refreshing to hear the hypnotic Brazilian rhythms. Kaylene’s vocals AND flute interpretations were awesome. Both original compositions and classics are so beautiful. I have the CD, and I love it; it was so wonderful to hear it live. And Bunny Brunel—everybody knows him as a bass giant; so many were surprised to hear him sing. What a treat. And Larry Dunn always brings some fire by playing those beautiful melodic solos. All the band members were on point and beyond! Great concert. So glad I was there.” Luisa Dunn, Vocalist/Producer/Composer, and Award-Winning Recording Artist

Kaylene Peoples Romantic Bossa-Nova
Kaylene Peoples Romantic-Bossa Nova

Kaylene Peoples will be performing “Romantic Bossa-Nova” with opening performer Gary Stockdale on Sunday, September 26, 2021, at 8:00 pm at Feinstein’s at Vitello’s, located at 4349 Tujunga Ave., Studio City, CA, 91604.

For Tickets: https://www.eventbrite.com/e/kaylene-peoples-romantic-bossa-nova-tickets-166528171243

I like to keep people guessing. I’ll change up my material and even introduce a new flavor to the set. I just love observing the reactions of the audience. And as long as those beautiful souls are smiling and dancing in their seats, I’m happy. With my next Romantic Bossa-Nova concert, there just might be a surprise guest performance. You’ll just have to buy a ticket to find out!” –Kaylene Peoples, Multi-Award Winning Recording Artist & Producer

About Kaylene Peoples: L.A. Music Awards-winning Producer Kaylene’s first jazz CD All Jazzed Up! (2005) made a splash across the nation when her single “Do You Remember” was played across the country. The single climbed to the top of the independent charts (AC40/NMW! Top 100 Chart/FMQB & ACQB! and Indie 100 chart). Her 2015 release, My Man, blew up the airwaves and impressed concertgoers. Her song “Giant Steps” is an (Akademia) award-winner, featuring Hubert Laws, Bunny Brunel, and Bobby Lyle. And her CD Romantic Bossa-Nova (2020) is a smash hit amongst Bossa-nova fans. This former model and two-time State Beauty Pageant winner boast a rare 5-octave vocal range, is a multi-instrumentalist, and is a composer/arranger/conductor. Kaylene’s soloing instrument of choice is the flute. In honor of her father, she incorporates it heavily into her music. Peoples has performed/recorded with Bunny Brunel, Bobby Lyle, Hubert Laws, Stanley Clarke, Patrice Rushen, Jeff Goldblum, Larry Dunn, and others. Kaylene Peoples continues to blow her audiences away with her incredible vocal performances and equally impressive instrumental virtuosity! Visit: https://www.kaylenepeoples.com

The Romantic Bossa-Nova CDRomantic Bossa-Nova is a breathtaking musical performance with a uniquely heart-warming interpretation of Bossa-nova at its best. Antonio Carlos Jobim, Cole Porter, Norman Gimbel, Vinicius de Moraes, and others with the songs “Night & Day,” “Corcovado,” “Waters of March,” “Dindi,” “Berimbau,” “Besame Mucho,” and more sung in Portuguese, English, and French by award-winning recording artist/producer/musician Kaylene Peoples. The CD features internationally acclaimed and 2-time Grammy-nominated bassist Bunny Brunel with a special treat on “Waters of March” (Aguas de Marços), where Bunny sings a duet in Brazilian Portuguese with Kaylene, and Bunny plays a “mean” Brazilian rhythm guitar the entire album while soloing and grooving on fretless and upright bass in the traditional Latin style! Since the first Romantic Bossa-Nova concert in 2016, Kaylene Peoples has been performing this show and touching the hearts of romantics, leading up to the release of the album in 2020.  Romantic Bossa-Nova is touted as the most romantic show in town, and growing in popularity with every performance!

Tom Wright Unveils His New Paintings at the West Hollywood Summer Free Jazz & Art Festival with a Live Jazz Concert.

Top jazz musicians Bunny Brunel and Kaylene Peoples perform “Romantic Bossa-Nova” to celebrate acclaimed artist Tom Wright’s newest abstracts at La Bohème Café in West Hollywood on Thursday, July 8, 2021.

Abstract painter Tom Wright will be unveiling his bigger-than-life canvases at the West Hollywood Summer Free Jazz and Art Festival on July 8, 2021, from 9 am throughout the evening at La Bohème Café, located at 8400 Santa Monica Blvd., West Hollywood, CA. As a long-term resident of West Hollywood, Mr. Wright has supported the community for years. “These are large, full-color art pieces, painted on a canvas that is 9 feet by 15 feet and 6 feet by 9 feet . . . with vivid colors and patterns of happiness,” says Wright. This is the second exhibit Tom Wright has had at La Bohème Café. His previous showing was only a month prior where he showed his framed paintings chosen from his vast collection of abstracts.

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Tom Wright (Abstract Painter)

“If you look up “Renaissance Man,” surely the name “Tom Wright” would come up — If nothing more than discussing his varied art which imitates life. Through his complex journey as an artist, his forms and expressions are reminiscent of the Picassos, the Van Goghs, and the French impressionists. Something as basic as a shopping bag could be his subject.” —Agenda Magazine

“This artist has been attracting a lot of attention lately due to his ‘think outside of the box’ approach to abstract art.” —TheHollywoodTimes.today

Internationally famous, two-time Grammy-nominated bassist Bunny Brunel and award-winning recording artist (jazz vocalist/flutist) Kaylene Peoples will perform “Romantic Bossa-Nova” with Grammy-nominated keyboardist Dennis Hamm, guitarist Joe Calderon, and drummer/percussionist Jon Brooks. The concert is from 11 am to 12:30 pm.

The event is at La Bohème Café (The Outdoors Cafe) , located at 8400 Santa Monica Blvd., West Hollywood, CA 90069 on Thursday, July 8, 2021, with the Tom Wright art exhibit starting from 11 am – all day.

The Outdoors Cafe

About Tom Wright:

The Los Angeles artist, Tom Wright, exhibited three examples from his catalogue of paintings that were created over his lifetime. His abstract entitled “The Wolf at the Door” may unlock your fear of the unknown by focusing on the wolf’s menacing image at the door to your world, peeping through the door blinds. On further evaluation, there seems to be a faceless image with an orange hat that makes the viewer question whether or not the wolf is on the inside, and the orange faceless image is looking in! Tom will often combine many worlds in his paintings and may even incorporate more lines and levels to keep the gallery of people guessing where he’s going with his art, leaving much to the viewer’s interpretation. A prolific painter whose art crosses multiple platforms, Wright’s medium of choice is acrylics and he is a master at impressionism and complex abstracts, using anything from canvas to paper bags, and painting satire to self-portraits with themes ranging from somber to joyful to alarming.  Great use of the color palette, Tom Wright’s paintings are imaginative, colorful, and emotionally stirring, and a favorite amongst local galleries. Visit: IG mrtomewright

About Bunny Brunel:

When it comes to the bass, two-time Grammy-nominated Bunny Brunel is the master and a musician’s musician! From defining his signature style on fretless, upright, and electric basses, to authoring numerous instructional books on bass technique and theory, there is no end to Brunel’s musical mind. Bunny has 15 albums from his first, titled Touch (1978) to his latest, the highly praised historical CD Bass-Ball (2017), a co-production with Bunny Brunel and Stanley Clarke. Bunny’s band CAB earned a Grammy nomination for CAB 2 Best Contemporary Jazz Album. Bunny Brunel is revered as one of the four who started the jazz-fusion bass movement (with Stanley Clarke, Jaco Pastorius, and Jeff Berlin). He was a member of Chick Corea’s band for 9 years, earning him his first Grammy nomination, and has played with Tony Williams, Herbie Hancock, Wayne Shorter, etc. He has graced the covers of (PN’PPlug N PlayBass MusicianBasics; and has been featured in Bass PlayerNo TrebleBassisteFor Bass Players Only, and others; and now Brunel holds the prestigious title as the Editor at Large of Virtuoso Bass magazine! Visit: https://www.bunnybrunel.com

About Kaylene Peoples:

L.A. Music Awards-winning Producer Kaylene’s first jazz CD All Jazzed Up! (2005) made a splash across the nation when her single “Do You Remember” was played across the country. The single climbed to the top of the independent charts (AC40/NMW! Top 100 Chart/FMQB & ACQB! and Indie 100 chart). Her 2015 release, My Man, blew up the airwaves and impressed concertgoers. Her song “Giant Steps” is an (Akademia) award-winner, featuring Hubert Laws, Bunny Brunel, and Bobby Lyle. And her CD Romantic Bossa-Nova (2020) is a smash hit amongst Bossa-Nova fans. This former model and two-time State Beauty Pageant winner (Miss California Young Miss; Miss Golden State) boasts a rare 5-octave vocal range, is a multi-instrumentalist, and a composer/arranger/conductor. Kaylene’s soloing instrument of choice is the flute. In honor of her father, she incorporates it heavily into her music. Peoples has performed/recorded with Bunny Brunel, Bobby Lyle, Hubert Laws, Stanley Clarke, Patrice Rushen, Jeff Goldblum, Larry Dunn, and others. Kaylene Peoples continues to blow her audiences away with her incredible vocal performances and equally impressive instrumental virtuosity! Visit: https://www.kaylenepeoples.com

 

 

 

 

 

 

 

 

 

Bunny Brunel Featured in “Bassiste” France Issue 72 – Translated to English

Basiste pg 26-27

THIS IS A BASSIST ALBUM FOR BASS PLAYERS!

By Paolo Coccina

How did an album like this come about?

The idea was born quite a while back when Stanley and I talked about it some time ago.  Because of busy schedules, it took us a very long time to finish – It took us five years, with getting all the different musicians to participate. A lot of overdubs were made possible thanks to the internet. Steve Bailey and Victor Wooten recorded their parts at their own studios and uploaded the tracks that I included in the mix. Others like Armand Sabal-Lecco recorded at my studio (Gigi’s Studio) where most of the album was recorded, but we also used Stanley’s studio for most of his parts, as well as Billy Sheehan’s. Recording at those different studios also helped contribute to the extra time spent finishing up the project.

Bassiste Magazine Features Bunny Brunel
Bunny Brunel is featured in the June 2017 Issue.

Besides Josquin Des Prés and Hadrien Feraud, who reside in California, I guess that for all the French musicians involved everything was done through the internet?

That’s right! I wanted to have Marc Berteaux; he is a fantastic bass player that never got the attention that he deserves. He plays a long solo at the end of “Freedom Jazz Dance.”

I wanted to do something special for the city of my birth place “Nice” with the title “Bay of the Angels” that is the name of the the bay in the front of Nice. For this title, I asked some musicians from Nice to play, including Alex Perdigon (trombone), Eric Giausserand (trumpet), and the bassists Tony Bonfils, Fifi Chayeb, and Dominique Bertram; as well as the drummer Steve Ferrone, who used to live in Nice. We went to the classical conservatory together.

Why two versions for that title?

Stanley wanted to have a shorter version for radio air play.

You co-wrote a title with Victor Wooten and Stanley. How did you do that?

If we take the first title “Nothing But The Bass,” which is a play on words on “Nothing but the best,” Stanley came up with some chords on the piano that I took and made the title using each of the different parts and solos sections. My daughter Gigi helped me with the melody of the bridge, that is why her name is mentioned in the credits.

On “Bass Ball” we also found a new version of “For You To Play” that was originally record on the album of the same title back in 1994.

That’s right, this tune was composed by my ex-wife Nicol Mecerova, an opera singer that made the melody of “For Me to Play.” Because I composed it on the Piccolo Bass Synth, I thought that it would be great to record it again with Stanley on the piccolo [bass] as well. He overdubbed the melody on the upright bass with the arco, and played a great solo with it.

My piccolo bass is a 5 string tuned E-A-D-G-C, it’s great to play chords.

Aren’t you afraid that people will say: It’s a bass player album for bass Players?

No, on the contrary; this IS a Bass player album for bass players! That is why we called it “Bass Ball.” There are going to be a Bass Ball 2 and 3 because there are more bass players that need to be presented to the public.

We are happy to hear that. You are doing a great job producing this. Nobody will complain!

This type of album helps connect the new generation of talent with the already established talent. I think that this is very important. I remember when I discovered Eddie Gomez on the live recording of Bill Evans at the Montreaux Jazz Festival, he showed me that I was in the right direction and that it was possible to do what I wanted to do. After that, there were many more for example such as Stanley Clarke who was with the original band Return To Forever; and also . . . it was Jaco Pastorius that offered me the challenge of playing melodies.

It looks like you play a lot of fretless on this album?

I do play fretless most of the time. If I don’t slide it sounds like a fretted bass but I do play my 4-string fretted on Gigi, for example.

Yes, lets talk about equipment. You left Carvin to play ESP now?

Carvin makes fantastic instruments but the problem is that they only sell in the US, they do not really distribute around the world; and they never copied my original design that I made for Gibson in 1986. By the way, my longtime student Kyle Eastwood  has 3 or 4 of those Bunny Brunel Gibsons.

ESP, on contrary, agreed to make my basses exactly the way I designed them. They are making a 5-string fretted, a 5-string Fretless, and a 4-string Fretted. All the ESP basses I designed have Aguilar pickups and electronics. I do not have any 6-string basses. I don’t like the sound of the hi C. I’d rather go up on the G string to play the high notes; the sound is better.

And for the amplification?

In the studio I use the ART preamp for my mixing board; and on stage I use an EDEN Amp system. I used to have a lot of effects a long time ago, but now I only use Digitech pedals such as PB 200 and for intimate venues PB80.

Basiste pg28-29
Bunny Brunel Featured In the French Magazine “Bassiste” June 2017 Issue #72

Did you plan to tour to advertise the album?

We are giving some concerts this summer. But we are thinking of getting to different place with a rhythm section, and inviting some bass players who are in the area to join us.

Interesting. Do you have any plans with the group CAB with Tony MacAlpine and Dennis Chambers?

Not right now, but I started recording an album with Patrick Moraz and Virgil Donati for a new group called “INOW.”  I am very excited about the project. Patrick’s music is complicated, but very beautiful.

It’s reminiscent of when it all started for me. Remember . . . it  is because of Patrick Moraz that I ended up with Chick Corea in 1978 when I was playing at the Ronnie Scott Club in London with Tania Maria and André Ceccarelli.

You’ve been really involved in writing a lot of books and videos, teaching the bass. What are you doing now?

I always give lessons, and because of the internet I can give lessons to anybody anywhere in the world now, using Skype. I am in the process of developing  an app [for bass lessons] for smart phones and tablets

Back to original news item:

Bunny Brunel’s CAB Performing at the Baked Potato May 20, 2017

Get a dose of electric, jazz fusion with legendary performers Bunny Brunel (Bass), Virgil Donati (Drums), Mitch Forman (Keyboards), and Julian Coryell (Guitar) With Guest Performers.

Show Times 9:30PM | 11:30PM Doors open at 8PM

Tickets: $25 PER SHOW
http://thebakedpotato.com/GiftShopPages/GiftShopAdvSalesCAB.html

Address:
The Baked Potato 3787 Cahuenga Blvd. West, Studio City, CA 91604
Call for reservations: (818) 980-1615

Facebook Event: https://www.facebook.com/events/747292102120405/

No Treble Features Bunny Brunel: Bass Players to Know

By: Ryan Madora | April 20th, 2017 | http://www.notreble.com/

Like any aspiring bass player, I went through a “fusion phase” (otherwise known as college). I spent countless hours infatuated with complicated harmony, the wild and masterful displays of technical ability, and the jammiest of jams. It wasn’t long before I discovered the CAB albums featuring Tony MacAlpine, Dennis Chambers, Brian Auger, and bass player Bunny Brunel. This quickly sent me down a rabbit hole of fast paced licks, chord extensions, and the world of instrumental music. Years later, I’ve had an opportunity to revisit some of the CAB records and dig a bit deeper into Brunel’s catalogue of work with artists including Chick Corea, Mike Stern, Herbie Hancock, Stanley Clarke, and countless others. Between his signature basses, educational books and DVDs, and extensive career as a composer and producer, Brunel is an obvious choice for a Bass Player To Know.

So Who Is Bunny Brunel?

Brunel grew up in France and began playing bass as a teenager. While he was mostly self-taught, he did attend a music conservatory to focus on upright technique and later ventured into fretless bass. Heavily influenced by jazz and Brazilian music, he spent most of his twenties working with various artists and touring through Europe. While performing in London at Ronnie Scott’s, he was introduced to Chick Corea who invited him to come to the United States. Brunel joined Corea’s band and recorded the albums Secret Agent, Tap Step, and Summer Jam, 1979: Live Under the Sky; this quickly solidified him as a force to be reckoned with in the jazz community.

To read the entire article, go to the Original Source at http://www.notreble.com/buzz/2017/04/20/bass-players-to-know-bunny-brunel/

 

“Real” Jazz and the Inspiration Behind “Kaylene Peoples – Standards & Stories from the Great American Songbook”

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By Sean McKenzie | The Indie Hotspot | April 11, 2017

I wanted to let people know more about some of these well-known songs, many of which have evolved into jazz standards. Every song has a backstory.  I also thought it would be a good way to introduce real jazz to a young audience, too. I really think that was accomplished with this recent private concert,” states Kaylene Peoples

kaylene-peoples-stories-and-standards-the-great-american-songbook
Kaylene Peoples performs at “Kaylene Peoples – Standards & Stories from the Great American Songbook,” April 2, 2017 (Photo: Robert Fisher)

Kaylene Peoples does a lot of things.  She has been called a renaissance woman more than once in the press and her musical disciplines are varied. These disciplines range from jazz, classical, and even pop.  Since her release of her first jazz album All Jazzed Up!, Kaylene has embraced “real” jazz with a bear hug. Kaylene released her second jazz masterpiece titled My Man, and with that she invited legends Hubert Laws, Bunny Brunel, and Bobby Lyle to guest perform, seeming to further make her point . . . “It’s all about the ‘real’ jazz.” Between these two albums, the performances and new arrangements of songs from the Great American Songbook have been the theme with the exception of “Run Away with Me,” “My only Crime,” and the song that charted independently back in 2005 “Do You Remember?” . . . her three originals that could easily be mistaken for standards off of All Jazzed Up!  

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Host Chase Masterson performs at “Kaylene Peoples – Standards & Stories from the Great American Songbook,” April 2, 2017 (Photo: Robert Fisher)

Ultimately, Kaylene started a private Facebook group just for real jazz lovers.Back in 2012, she created the Indie Hotspot Jazz Series to bring more ‘real’ jazz to Los Angeles on a regular basis. And it’s not so hard to understand why her live performances consist of only ‘real’ jazz. What is real jazz? The term defines when the medium became popular in the United States. Many songs that were featured in classic Old Hollywood films by a well-known group of composers and performed by popular singers of the time. This practice continued for almost a century now, but has broken up into many different styles of jazz.

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Bunny Brunel performs at “Kaylene Peoples – Standards & Stories from the Great American Songbook,” April 2, 2017 (Photo: Robert Fisher)

Jazz is defined as an improvisational discipline, where the instrumentalists use modal jazz changes as their guide. Classic vocal jazz consisted of jazz chords with subtle to extreme vocal improvisation, sometimes incorporating scatting. Standards & Stories from the Great American Songbook was a concept Kaylene Peoples had to marry standards with real jazz. [Footnote: Today we have a genre called smooth jazz, which is often confused with real jazz. The theory of the two genres are very different, yet they both have their own unique appeal. And sometimes these two genres cross over into the other genre’s style.]

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Larry Dunn and Luisa Dunn attend “Kaylene Peoples – Standards & Stories from the Great American Songbook” April 2, 2017 (Photo: Robert Fisher)

Kaylene Peoples Standards and Stories from the Great American Songbook premiered April 2nd, 2017 at the Mouse House Studio in Altadena, the third private concert put on by The Indie Hotspot. It was an intimate setting with an impressive lineup: Kaylene Peoples (vocals/flute), Bunny Brunel (acoustic bass), Mahesh Balasooriya (grand piano), and Bryan Cabrera (drums). Chase Masterson narrated and sang three Peggy Lee standards. Using a traditional trio and old-fashion storytelling, the audience was captivated by the stories and performances by this mega-talented ensemble.

Continue reading ““Real” Jazz and the Inspiration Behind “Kaylene Peoples – Standards & Stories from the Great American Songbook””

Larry Coryell Tribute at the Blue Whale: A Stroll Down Memory Lane

By Kaylene Peoples | Agenda Magazine (www.agendamag.com) | April 10, 2017

The Blue Whale in Downtown L.A. is known for organic music, featuring a variety of styles such as fusion, contemporary jazz, new age, and those that thrive in a cozy, ambient atmosphere. Saturday, March 25, 2017 from 9:00 PM to 11:45 PM was filled with the essence of Larry Coryell, and I had never seen this intimate venue so packed. The tribute concert was spearheaded by Larry’s surviving son Julian, who proved to his father’s fans, the apple does not fall far from the tree. Following the memorial of Larry Coryell (which occurred earlier that day) the concert was to be a celebration of the man and his music. The original lineup was to include Julian Coryell on guitars, Bunny Brunel on bass, Brian Auger on Piano and B3 organ (he took ill that night and was replaced by keyboardist/organist Matt Rohde); and drummers Gerry Brown the first set, and Andy Sanesi the second set.

The song list was filled with some of Larry Coryell’s greatest compositions. Julian played flawlessly those songs, which included the following: “Spaces Revisited,” “Sink or Swim,” “Treats Style,” “First Things First,” “Low Lee Tah, “After Later,” “Bird Fingers,” and “Good Citizen Swallow.” As spirited as those performances were, the show was further commemorative of the fusion style with two tunes by the late, great fusion/soul drummer Alphonse Mouzon, who passed away earlier this year. The ensemble performed Mouzon’s “The Cover Girl ” and “Poobli”; and early in the second set, Julian Coryell and Bunny Brunel did a duet by René Thomas called “Renée’s Theme.”  This was famous duet originally performed by Larry Coryell and John McLaughlin from the album Spaces..

Continue reading “Larry Coryell Tribute at the Blue Whale: A Stroll Down Memory Lane”

A GREAT SHOW OF ACOUSTIC JAZZ & ELECTRIC FUSION BY BUNNY BRUNEL & KAYLENE PEOPLES!

By Mike Harvey | Theindiedhotspot.com | March 4, 2017

Saturday, February 25, 2017, at the Alvas Showroom in San pedro, I saw masterful bassist Bunny Brunel II and the lovely and multi-talented Kaylene Peoples at the Alvas Showroom in San Pedro, CA. Bunny gave us a great version of “Dolphin Dance” (my personal favorite of all his recordings) and flautist Kaylene blew us away on the flute with Dave Brubeck’s “Blue Rondo a la Turk.” Virgil Donati provided a creative & solid foundation on drums, and Bronx brother, Joe Calderon shredded on guitar from metallic outbursts to gentle complements to the ensemble. A surprisingly inventive and emotional performance by up and coming pianist Mahesh Balasooriya seemed to be enjoyed by his bandmates, as much as it was by the audience. Kaylene‘s vocals hit the spot, and what a charming lady she is!

Some highlights of jazz favorites performed that evening were “Dolphin Dance,””Take Five,””Lullaby of Birdland,””Night Streets,” “The Slide,””One Note Samba,” and more.

Original Soucre: http://www.theindiehotspot.com/2017/03/04/a-great-show-of-acoustic-jazz-electric-fusion-by-bunny-brunel-kaylene-peoples/