Editor At Large Bunny Brunel features Stanley Clarke, Brian Auger, Wayne Shorter, Meshell Ndegeocello, Scott Ambush, Hiromi, The Gibson Bass Book, & jazz fusion pioneers!
Los Angeles, CA (PRUnderground) February 13th, 2024
Virtuoso Bass magazine proudly presents the highly anticipated Issue 3, an immersive journey into the world of bass and jazz fusion. With a rich array of exclusive interviews, in-depth profiles, and insightful commentary, this issue is a must-read for bass enthusiasts everywhere. The cover story of Issue 3 shines the spotlight on multi-Grammy-winner Stanley Clarke, an iconic figure in the world of bass. Through an exclusive interview, Clarke shares intimate insights into his illustrious career and early years, offering a glimpse into his incredible contributions to music and his role as a trailblazer who helped elevate the bass to the forefront of the industry. Renowned bassist Bunny Brunel, Editor at Large, presents Clarke’s captivating narrative alongside a stunning lifestyle editorial photographed by Ash Gupta.
In addition to the cover story, Issue 3 features an array of exclusive interviews and profiles, including bassist Scott Ambush, who reflects on his 30-year journey with Spyro Gyra and his passion as a luthier and designer of bass accessories. Grammy-nominated Brian Auger shares fascinating anecdotes about his career and interactions with jazz legends like Jimmy Smith, while Greg Boraman of Soul Bank Records provides insights into the label’s outstanding artists and recent releases.
The issue also profiles Meshell Ndegeocello, the German-born bass marvel known for her innovative compositions and activism. A spotlight on Ndegeocello’s latest CD, The Omnichord Real Book, highlights her prolific journey as a bassist, composer, singer, and activist. Readers can dive into the world of bass history with an interview featuring Rob Van Den Broek, author of The Gibson Bass Book: An Illustrated Tribute, shedding light on the vision behind the comprehensive “almanac” of Gibson basses. Issue 3 also pays tribute to the late Wayne Shorter, exploring his groundbreaking influence in jazz fusion and classical music.
Furthermore, Issue 3 includes CD reviews, such as the latest release from Hiromi, SonicWonderland, which features fretless player Hadrien Feraud with the Sonicwonder Quartet. The review praises Hiromi’s venture into drastic changes of tempo and musical styles, alongside consistent and organic sonic backdrops.
The magazine also features a review of the CD release concert “Bass Ball 2,” showcasing performances by Bunny Brunel, Stanley Clarke, Kyle Eastwood, Armand Sabal-Lecco, Larry Dunn, and Kaylene Peoples. Additionally, The Jazz Fusion (thejazzfusion.com) introduces a new radio chart for the underserved genre of “jazz rock.” As we delve into what spurred the early jazz fusion movement, we review the following albums: Miles Davis: In A Silent Way (1969), Mahavishnu Orchestra with John McLaughlin: The Inner Mounting Flame (1971), and the eponymous Herbie Hancock Head Hunters (1973).
Don’t miss out on the unparalleled insights and engrossing articles featured in Virtuoso Bass Issue 3, curated by Editor At Large Bunny Brunel whose mission is to put a spotlight on exceptional bassists, furthering the evolution of this increasingly popular instrument!
Virtuoso Bass magazine extends its gratitude to advertisers and sponsors, including LaBella Strings. Visit virtuosobass.com to learn more about this exciting new issue, published by KL Publishing Group.
About Virtuoso Bass
VIRTUOSO BASS Magazine, headed by Bunny Brunel is the ultimate destination for bass enthusiasts, featuring in-depth interviews, captivating profiles, and insightful commentary on the world of bass and jazz fusion. Each issue showcases legendary bassists, rising stars, and iconic albums, providing readers with a comprehensive look into the rich landscape of bass music. With a commitment to excellence and a passion for the art of bass, Virtuoso Bass Magazine continues to inspire and educate bass players around the globe.
On January 19, 2024, legendary bassist Bunny Brunel headlined at the Catalina Jazz Club for his “Bass Ball 2” CD release concert. The packed event featured iconic bassists Stanley Clarke, Kyle Eastwood, and Armand Sabal-Lecco, with performances by Larry Dunn and Kaylene Peoples. The night showcased bass virtuosity, surprise collaborations, and a captivating mix of jazz, blues, and Bossa-nova. Hosted by Kevin Foster and opened by Pat Prescott, the event received high praise and an unforgettable evening for all.
Bunny Brunel & Friends “Bass Ball 2” made its way to the Catalina Jazz Club on Sunset Blvd. for a once-in-a-lifetime night of music. Never have these four players (Bunny Brunel, Stanley Clarke, Armand Sabal-Lecco, & Kyle Eastwood) graced the same stage during a performance . . . and the audience was thrilled to be there to witness it. This night was filled with great collaborations with a variety of styles and techniques. Bunny Brunel and Stanley Clarke who are both known for their tenure with Chick Corea were pivotal in bringing the bass upfront. Pioneers of the jazz-fusion bass movement, Brunel & Clarke helped pave the way for future bass players to carve their own niche in the industry. The performances that evening was epic. Several attendees remarked how distinctive each bass player’s sound was. One guest remarked, “You could close your eyes and know who was playing.”
Stanley Clarke, Armand Sabal-Lecco, and Monette Marino
Larry Dunn, the original keyboardist for Earth, Wind & Fire, added to the musical feast with his playing, bringing his sound filled with nostalgia, and adding something extra to the show. Dunn’s performance was nothing short of brilliant.
Keyboardist Larry Dunn
And Kaylene Peoples, a vocalist and flutist, charmed the audience with her command of the stage, bringing another flavor entirely. As Peoples jokingly expressed before she performed, “I’m the treble amongst all this bass!”
The engaged audience was mesmerized by each performer. There was something very unique about this unexpected lineup. The personnel, featuring Mahesh Balasooriya on keys, Monette Marino on percussion, and DeCarlos “Hulk” Davis on drums, showcased a fusion of talent.
Drummer DeCarlos Hulk Davis
To kick off the show, TV Writer/Comedian (Monogamy) Kevin Foster warmed up the audience as anticipation brewed. He brought to the stage Pat Prescott, a popular radio host, expressed how important jazz and supporting live music is today.
Radio Host & Guest Pat Prescott (L) gives a speech; Kyle Eastwood (R)
Then bassists Bunny Brunel, Stanley Clarke, and Kyle Eastwood set the tone with the infectious grooves of “G-Blues,” setting the crowd’s anticipation for a night of musical grandeur. The spotlight remained firmly on the bass instrument, providing an innovative palette for musical expression. Larry Dunn joined Bunny Brunel and Stanley Clarke for a captivating performance of “Changing,” which is slated as the first single from “Bass Ball 2” and showcased Dunn’s keyboard virtuosity. The dynamic duo of Stanley Clarke and Armand Sabal-Lecco then captivated the audience with a masterful interpretation of “La Caucion.”
Stanley Clarke and Armand Sabal-Lecco
Kaylene Peoples brought a touch of Romantic Bossa-Nova to the mix with her rendition of “Girl from Ipanema,” accompanied by Bunny Brunel on bass.
Kaylene Peoples performs “Spain” with Kyle Eastwood and Bunny Brunel
The climax of the night was the “Bass Jam,” where the four legendary bass players exhibited their technical prowess, melodic sensibility, and dynamic camaraderie on the electric bass.
All Four Bass Players: (L-R) Kyle Easrwood, Armand Sabal-Lecco, Bunny Brunel, & Stanley Clarke; (Far Right) Percussionist Monette Marino
Honoring the iconic Chick Corea, Kaylene Peoples returned to perform a flute solo on Corea’s “Spain.” The grand finale featured Larry Dunn rejoining Stanley Clarke, Bunny Brunel, Kyle Eastwood, and Kaylene Peoples for a jazzy rendition of “That’s the Way of the World.”
(L-R) Larry Dunn, Kaylene Peoples, Armand Sabal-Lecco, Monette Marino, DeCarlos Hulk Davis
Attendees praised “Bass Ball 2” and its legendary cast, with one remarking, “Tonight was the most beautiful jazz concert I have ever attended. Congratulations. True beauty is holy,” said Terran Steinhart, an Attorney at Law. Journalist A. Scott Galloway added, “Truly an unforgettable evening of heartfelt joy, camaraderie, and low-end love.” The enthusiastic crowd on January 19th included notables like fashion designer Kevan Hall, “Monogamy” Actress Chrystee Pharris, bass player Talmadge Hawkins, and Howard Johnson of “So Fine” fame. The event drew in a diverse audience, including Grammy-winning Phillip Aphillyated Guillory and the Executive Board of the Tuskegee Airman Scholarship Foundation.
Pianist Mahesh Balasooriya
Bass Ball 2, the brainchild of Bunny Brunel, follows the groundbreaking release of BASS BALL in 2017, the first-ever CD exclusively showcasing bass players. Co-produced by Stanley Clarke, the collaboration marked a historic moment for bass enthusiasts, thrusting the instrument into the forefront of musical expression. BASS BALL 2, released in 2023, features a stellar lineup, including Kyle Eastwood, Federico Malaman, Stanley Clarke, Armand Sabal-Lecco, Sekou Bunch, Josquin des Pres, Dominique di Piazza, and special guests Patrice Rushen, Larry Dunn, Kaylene Peoples, Virgil Donati, John Wackerman, Steve Ferrone, and countless other notable musicians. For more information about “Bass Ball 2” and the complete lineup, visit bunnybrunel.com/music.
Renowned bassist and composer Bunny Brunel is set to dazzle audiences with an unforgettable CD release concert at the prestigious Catalina Jazz Club in Hollywood, CA. This highly anticipated event will bring together a constellation of legendary bass players and musicians, including the incomparable Stanley Clarke, Armand Sabal-Lecco, and Kyle Eastwood, with performances by Larry Dunn and Kaylene Peoples.
The concert, scheduled for January 19, 2024, promises to be an extraordinary evening of musical brilliance, showcasing the immense talent and virtuosity of these iconic bass players. Bunny Brunel, a true luminary in the world of bass, will be unveiling his latest album, which is already generating significant buzz within the industry. With a career spanning over four decades, Bunny Brunel has established himself as a trailblazer and innovator in the realm of bass. His unique style and unparalleled technique have earned him accolades from critics and fans alike. Bunny’s ability to seamlessly blend various genres, ranging from jazz fusion to a variety of related styles, only fuels his compositional prowess and leadership in contemporary jazz.
Bunny Brunel is set to ignite the stage alongside a stellar lineup of bass legends, promising an extraordinary musical experience. Joining him is the iconic Stanley Clarke, a Grammy-winning pioneer of the electric bass, renowned for revolutionizing its role in jazz and fusion. Co-founder of the pioneering fusion band Return to Forever with Chick Corea, Clarke’s solo career spans decades, showcasing his versatility in jazz, funk, and classical genres. Armand Sabal-Lecco, another bass virtuoso, graces the stage with his technical prowess and melodic sensibility. His collaborations with Stanley Clarke, Peter Gabriel, and especially his contributions to Paul Simon’s Graceland, solidify his reputation as a revered bassist globally. Kyle Eastwood, accomplished bassist and composer, brings his rich and melodic bass lines to the ensemble. Son of legendary actor Clint Eastwood, Kyle has carved out a successful career in both jazz and film scoring, earning critical acclaim and a dedicated fan base. Keyboardist Larry Dunn, a pivotal figure in Earth, Wind & Fire, and founder of the Larry Dunn Orchestra, contributes his prolific production skills to the lineup. Inducted into Song Writer’s Hall of fame and honored with the GRAMMY Lifetime Achievement Award, Dunn’s multifaceted contributions transcend decades, leaving an enduring impact on the music landscape. Completing this stellar cast is the uber-talented Kaylene Peoples, a versatile artist with a 5-octave vocal range, renowned multi-instrumentalist, and prolific composer. Her orchestration skills grace film soundtracks, and her latest album, Romantic Bossa-Nova, adds to her legacy as a consummate performer, jazz innovator, and force on the Bossa-nova scene. Together, these artists promise a musical feast that transcends genres and captivates audiences.
Back in 2017, Bunny Brunel revolutionized the music scene with the groundbreaking release of Bass Ball, the first-ever CD exclusively showcasing bass players, including Victor Wooten, Billy Sheehan, and Hadrien Feraud. Co-produced by the legendary Stanley Clarke, this collaboration marked a historic moment for bass enthusiasts, thrusting the instrument into the forefront of musical expression.
“With a range of players and styles, Bunny Brunel & Friends – BASS BALL 2 is the perfect successor to the 2017 release of the ‘historical’ BASS BALL, where prominent bass players got together for the first time on a solo album project. On BASS BALL 2, Bunny Brunel is joined by an all-star lineup, playing jazz, blues, reggae, funk, and world as he sets the landscape for this bass-led, groove-heavy ride!” – TheJazzFusion.com
The ensemble is further enriched by the talents of Mahesh Balasooriya on keys, Monette Marino on percussion, and the dynamic Decarlos “Hulk” Davis on drums. The Event is hosted by TV writer and comedian Kevin Foster (Monogamy). In addition to offering a night of exceptional entertainment, the concert will contribute to a noble cause with a portion of the proceeds benefiting the Wounded Warrior Project—a commitment to support and empower wounded veterans.
The CD release concert at Catalina Jazz Club promises to be an unforgettable night of musical brilliance, as these powerful musicians come together to celebrate Bunny Brunel’s latest album. Audiences can expect an electrifying performance, showcasing the immense talent and creativity of these legendary musicians.
Tickets for this exclusive event are limited and expected to sell out quickly. Don’t miss the opportunity to witness this historic gathering of music luminaries. Secure your seats now at Catalina Jazz Club on Friday, January 19th, 2024, for an evening of extraordinary music.Doors open at 7 p.m. with showtime at 8:30 p.m.The premier jazz club in Los Angeles is located at 6725 Sunset Blvd., Hollywood, CA 90028. For more information and ticket reservations, please visit Catalinajazzclub.com.
About Bunny Brunel:
Bunny Brunel is a world-renowned bassist, composer, and producer. With a career spanning over four decades, Bunny has collaborated with music legends such as Chick Corea, Herbie Hancock, Tony Williams, and Wayne Shorter. He is also the founder of the Grammy-nominated band CAB. His unique style and virtuosity make him best known for his soloing prowess, leaving audiences awestruck while putting a spotlight on the bass as a soloing instrument thus making him a highly respected figure in the music industry. Deemed a “Fusion Giant” by Bass Musician magazine, he is the Editor at Large of VirtuosoBass magazine, a bass designer, and a sought-after collaborator for some of the biggest names in the music industry.
Embark on a captivating journey with Levy Lee Simon’s much-anticipated memoir, Odyssey Towards the Light: Book 1. Join us for an unforgettable evening at the book launch and signing, happening on Friday, December 8th, 2023, at 7 PM in the heart of Hollywood, at Greenway Court Theatre – 544 N. Fairfax Avenue. Admission is free! Levy Lee Simon’s memoir is a riveting odyssey that unfolds from the vibrant streets of Harlem to the hallowed halls of HBCUs, the dazzling lights of NYC Theatre, and the wild escapades of the Roaring 80s. Brace yourself for tales of Party Nights and Drug-filled Days in the 90s, a journey marked by rises, falls, and more theatre magic. And mind you, this is just Part One!
Hosted by actress Cindy Marinangel, moderated by NY Times Best-Selling author and the creative force behind the popular podcast “The Only One in the Room” Laura Cathcart Robbins. Special Guest Michael Camacho, and joining the celebration is special guest jazz & Bossa-nova recording artist Kaylene Peoples who will enchant the audience with her “Romantic Bossa-Nova,” accompanied by the legendary Grammy-nominated bassist Bunny Brunel, guitarist Joe Calderon, and percussionist Christian Moraga.
Don’t miss this opportunity to be part of a literary, conversational and musical event. Books will be available for purchase at the event, so you can take home a piece of this evening of Levy’s journey, and have your copy signed by the author himself. Immerse yourself in the Odyssey Towards the Light. Admission is free, but the experience is priceless. See you there!
A little about Odyssey Towards the Light: Book 1
“A riveting story about Levy Lee Simon, a multi-award-winning playwright, actor, and now novelist as he recounts his life, growing up during his formative years in Harlem during a period when racial diversity was nonexistent and tolerance had no place in a cruel society. Living in New York with the inspirations from Malcom X, Martin Luther King, Muhammad Ali, and countless other influential Black leaders of that time, Levy Lee overcomes adversity, was a star athlete, and mesmerizes audiences as a lead actor on stage, ultimately authoring highly acclaimed plays. We laugh, we cry, party with him, experiment with him, and we root for him. Inside this memoir, Activist Levy Lee’s life is inspiring and an incredible read.” – KL Publishing Group
Held at the Black Design Collective Creative Center in Downtown LA, with model/activist Bethann Hardison, Goo Goo Atkins hosts a once-in-a-lifetime conversation, followed by an audience Q& A.
Los Angeles, CA – March 31, 2023
On March 18, 2023, the Black Design Collective presented an intimate conversation with Bethann Hardison, the first Vanguard recipient for the 54th NAACP Image Awards. The event was hosted by celebrity stylist and influencer Goo Goo Atkins (Goo Ru Style). This conversation is part of an ongoing series titled “Pull Back the Curtain.” After Atkins and Hardison took their seats, the audience focused their attention on the stage with quiet anticipation.
FIDM Founder/President Tonian Hohberg attends Black Design Collective Pull Back The Curtain: A Conversation with Bethann Hardison. (Photo by Karim Saafir)
“Bethann Hardison was engaging and entertaining. ‘The Oracle’ shared that throughout her life, she always spoke her mind, fearlessly seizing every career-changing moment. Goo Goo Atkins’s questions were so well researched, they caught Bethann by surprise on more than one occasion. And her witty, well-timed responses had us in stitches so much throughout the discussion, Ms. Hardison could add comedienne to her impressive lists of credits. Black Design Collective’s Pull Back the Curtain provided something that was very special and exclusive. It was a rare honor to witness this living legend in such an intimate setting!” –Kaylene Peoples, Agenda Founder & Editor-in-Chief
AGENDA Founder/EIC Kaylene Peoples and Grammy-Nominated Bassist Bunny Brunel as part of the audience attend at the BDC Creative Center Stage in Downtown LA on March 18th, 2023
Goo Goo Atkins introduced Bethann Hardison, deeming her “The Godmother of Fashion,” informing the audience that she is “affectionately called ‘The Oracle.’” Atkins opened dialogue with Bethann by asking her about her outspokenness and if that came with maturity.
Host/Influencer Goo Goo Atkins at the BDC Creative Center Stage in Downtown LA on March 18th, 2023
Bethann responds, “It’s funny, I’m writing a book now, so you do go back and you start realizing who you were. I started saying that I was always successful from the time I was 12 years old. I was a leader. Outspoken? Maybe to get some things done.” Hardison continues, “I was lucky to grow up in the garment business. It’s not a corporate world, so it was much easier to be who I was.” Atkins talks about the very few Blacks who were involved in the fashion industry in the 1960s. Bethann reveals that there was no real fashion industry; it was the garment industry during that period. “It was just getting garments made, designers were there, racks of clothes were across the street. It was quite different, and I just wanted to be in the industry. I just needed a job. Back then you could go into the New York Times and look for employment. And they gave me a position in sales.”
Black Design Collective Pull Back The Curtain: A Conversation with Bethann Hardison. Photo by Karim Saafir
Goo Goo Atkins surprises Hardison with her next question, “Bethann, you walked up to the head of the Junior dress department and said, ‘if you want this to sell, then you need to put me in it.’” Shocked, Hardison replies, “How do you know all of this?” The audience bursts out laughing. Hardison continues, “It’s so funny when people interview you and they really do research. They had a Federated store with Junior dresses. It was Bernie Ozer of Federated Department stores, who was quite well-known in our industry,” Bethann goes on to say that when she was a child, she was a tap dancer, even on the radio. Bernie Ozer loved Broadway, so when Bethann saw him, she leaned in and said, “if you really want to have a great show, you should have me in it.” Hardison was scared that Ozer would be upset and tell her boss. Ozer said, “thank you.” By the time she got back to the office, they were so excited to tell her that Bernie wanted her in the show. She adds, “and that was the first time I actually did a runway show.”
The Battle of Versailles Fashion Show
Goo Goo Atkins: “In 1973, things changed one night in Paris when five American designers showed their collections along with five French designers. That became known as the Battle of Versailles. Tell us how you and the 10 other Black models changed fashion that night.”
Bethann responds, “We didn’t change fashion that night, we educated the European designers (the French) about who we were. Also, the American designers lost their set; they thought the set specs given were in inches, not centimeters. We were devastated. By the end of the day, we had music . . . and the French never used music. We had Barry White. They had never seen anything like it, and the show gave us an opportunity to be seen in that way. And that was ALL the girls (of all races).”
General Atmosphere – at the BDC Creative Center in Downtown LA on March 18th, 2023
Hardison shocks with facts, as she talks about how within the industry, people embellish moments. She educates that much of this information about the Battle of Versailles [Fashion Show] wasn’t known until as recent as eight years ago when the diversity department of the Metropolitan Museum learned about the event and decided to give the models a citation, subsequently featuring the 11 girls of color from that show. “When we were there, it was a collection of many: the dancers, the models, all of us coming together. It was diverse. And it was all because of the great choreographer Kay Thompson (American in Paris), not ‘Black girl magic.’ We were scared to death, the French and American designers were fighting among each other, Anne Klein was so put upon, and as much as I was first Steven Burrows’s assistant, I was still a model. I had to talk a lot with Anne who was the only female . . . and it was such a controversy. But when showtime came, everyone came together. That’s what was American. That’s what really impressed me. We won, and it was a brilliant moment. At the end of the day, it was just a gig!”
Atkins and Hardison continued their conversation with topics about Bethann’s diverse modeling agency, why she founded Black Girls Coalition, and her being instrumental in managing and launching the careers of Kimora Lee Simmons, Veronica Webb, Brandy, and her son Kadeem Hardison (A Different World). They spoke about her agency’s involvement with model Tyson Beckford and their deal with Ralph Lauren and Polo, her role with Gucci Changemakers, and her collaborative film, Invisible Beauty, that was selected for the Sundance Film festival.
Goo Goo Atkins asks Bethann a final question: “Will you continue to fight?”
Black Design Collective Pull Back The Curtain: A Conversation with Bethann Hardison.
Bethann Hardison: “I talk about diversity, and because I come from the garment district, I want to focus on the designer—a lot of them don’t have the background to succeed. I want them to have a business that they can pass down to their children. I got so tired of hearing people ask, ‘Where are the Black designers?’ I said, ‘Just because you don’t hear about them doesn’t mean they don’t exist.’ Collectively, the CFDA and I brought designers together who already had a brand, and I was able to educate them about retail. That started February 2018. So now, I would like to diversify it racially. But that’s not interesting to them because they’re too comfortable within their community. So, when you talk about fighting the fight, or ask if my advocacy will still support diversity . . . [the answer is] yes, it always will. But when I talk about racial diversity, I mean ‘Racial Diversity!’ And sometimes people think this means all Black. But I think that we do better if we integrate.”
Emmy-winning designer Brenda Cooper attends Bethann Hardison’s interview at the BDC Creative Center in Downtown LA on March 18th, 2023 (Photo: Karim Saafir)
Bethann Hardison was surprisingly transparent in her responses while Goo Goo dug deep with her questions. Many of Ms. Hardison’s responses were pearls of wisdom for anyone wanting to pursue a career in fashion.
Notable attendees who were present at the talk were FIDM founder & president Tonian Hohberg; AGENDA founder and editor-in-chief Kaylene Peoples, Grammy-nominated bassist Bunny Brunel; Robin Harrison (VP of Hollywood Bureau, NAACP); multi-award-winning actor multi-award-winning Actor Jimmy Jean-Louis; Emmy Award-winning costume designer Brenda Cooper; and fashion designers Kenneth Nicholson, Okera Banks, and Dena Burton. Guests that evening enjoyed drinks that were provided by Melody Murphy of Mixed Bar Services.
BDC Co-Founders/Designers: President Kevan Hall, Former President Angela Dean (Deanzign), and TJ Walker (Cross Colours) attend Pull Back the Curtain event at the BDC Creative Center in Downtown LA on March 18th, 2023
About . . . Pull Back the Curtain (A Black Design Collective Series): A Conversation with Bethann Hardison
Bethann Hardison is an advocate, model, and muse with a career spanning over five decades. Hardison has gone from working in NYC’s Garment District to becoming one of the first Black models favored by European and New York designers. She’s been a creative director and producer, and founded her namesake agency where she guided the careers of some of the most prominent models. In 1988, she founded the Black Girls Coalition, and in 2013, she spearheaded the launch of the Diversity Coalition, sparking an industry-wide movement for diversity and inclusion. In recognition of her decades of advocacy work, Bethann received the CFDA Founder’s Award in 2014. In 2018, with the support of the CFDA, she founded The Designer’s Hub to guide and empower Black designers. In 2019, Hardison became an inaugural member of Gucci’s Changemakers Council. Bethann currently serves on CFDA’s Board of Directors and as Gucci’s Executive Advisor for Global Equity and Cultural Engagement. (bethannhardison.com)
Goo Goo Atkins has impeccable style and an audacious personality that depicts her dynamic portfolio as a designer, celebrity wardrobe stylist, creative director, actress, host, TV/radio personality, fashion columnist, and social media influencer. Atkins has worked, lived the fashion community, and more specifically, the plus-size community. You may remember her as the younger sister of Erica and Tina Campbell of Mary Mary, but she’s since made a name for herself with her own spinoff WEtv web series, Goo Ru Style.
Black Design Collective was founded in 2018, and is comprised of accomplished fashion industry professionals of color who seek to amplify the influence of and create opportunities for the community of Black apparel and accessory designers and costume designers within the U.S. and abroad. The BDC mission is rooted in the promotion of scholarship, mentorship, and entrepreneurship within emerging generations of Black fashion design talent. Through this work, the BDC aims at ultimately fostering an independent and self-sustaining Black fashion community. Proceeds from this event go to the Black Design Collective, a 501 c 3, to mentor, educate, and equip Black designers with the essential tools to create generational companies and level the playing field in the competitive fashion industry. Founders of the BDC are president & designer Kevan Hall, designer TJ Walker of Cross Colours, Oscar winner Ruth E. Carter (Black Panther, Wakanda Forever), and designer Angela Dean of Deanzign
Inside this long-awaited second issue includes the following: “Bunny Brunel Moments” and his time with the late Chick Corea; interviews with Ron Carter, Buster Williams, Forbassplayersonly.com founder Jon Liebman and his new book FUNK/JAZZ/BASS, and Roger Linn of LinnStrument; a spotlight on Tal Wilkenfeld and a retrospective on Chick Corea that includes Corea’s last interviews; CD reviews with Bakithi Kumalo, Buster Williams, and reviews of “Unconventional Releases” by Paul Chambers, Ray Brown, and Ron Carter (including Carter’s documentary FINDING THE RIGHT NOTES)!
By Sean McKenzie
Since the official launch of Virtuoso Bass back in the fall of 2020, a lot has happened. The pandemic held up plenty of editorial calendars and the legendary Bunny Brunel waited for just the right time to put out the second issue of the much-anticipated lifestyle magazine for iconic jazz bassists. Virtuoso Bass seized the moment to retain Ty-Ron Mayes (America’s Next Top Model, Daymond John, Agenda) and NY photographer Udo Spreitzenbarth (Catherine Zeta-Jones, John Legend) to create the fashion/lifestyle editorial of Ron Carter titled, “Ode to the Upright.”
“A lot has happened since the launch of the first issue back in 2020. I was all geared up to feature some amazing bass talent. Sadly, when covid came, it destroyed a lot of people’s plans and Virtuoso Bass was not immune. But we’re glad to be back with a brand new issue, featuring phenomenal bass players. Being a bassist is not just about supporting the band, even though that is definitely the main purpose, but there is a level a player reaches when suddenly people sit up and take notice. My vision is still to put a spotlight on bass players who’ve made a real impact, are at the top of their game, and even created their own sound and style. Ron Carter is one of those bassists. Buster Williams, another great bassist who plays the upright is such a great musician and another player with an impressive number of performances. And we will always include women bass players just like in our first issue when we profiled female bassist Carol Kaye. This issue we chose another talented woman, Australian-born bassist Tal Wilkenfeld.” —Bunny Brunel
Ron Carter is highly featured throughout the issue with his recent release of the PBS documentary, Ron Carter: Finding the Right Notes. The timing couldn’t have been better. Virtuoso Bass was able to feature a review.
“The most recorded bassist in history tells his story in this intensely moving documentary. This detailed biography gives us an insight into the life of the revered jazz icon.”—Virtuoso Bass
Carter is also included in the reviews of unconventional album releases: Ray Brown Jazz Cello; Ron Carter Dear Miles; and Paul Chambers Bass On Top.
“Working with Bunny Brunel to help him realize his vision for Virtuoso Bass is not only exciting, but it’s a real education. To be able to co-curate such a beautiful periodical and learn about jazz bass on such a deep level is compelling. I met Ron Carter after seeing him perform at the Catalina Jazz Club in Los Angeles back in 2015. Virtuoso Bass has given me the opportunity to experience this legend again. After exploring Carter’s music, watching his documentary, and poring over the images to make the final selection for his lifestyle editorial, I am unbelievably honored to be a part of this incredible history in the making! —Kaylene Peoples, Executive Editor
“What an honor it was to add a little extra sparkle to double bassist Ron Carter’s star. The maestro of jazz has got swag all day long and I wanted to show that he is still ‘mad fly.’ The moment I saw that woven, wool military-style suit with black iridescent flecks intricately peppered through the ensemble by Cillian Atelier, paired with that classic beret, I knew our cover would not only capture the look of the moment, but would also successfully define the tone of Virtuoso Bass, exemplifying the strength of this multi-Grammy Award-winning musical soldier. Carter’s editorial also highlights his “ageless” spirit that has experienced a life that still has so much to offer.” –Ty-Ron Mayes
Included in this issue is Bakithi Kumalo’s review of his CD “What You Hear Is What You See” and Buster Williams’s (& Something More) review of “Audacity. Journalist Sheryl Aronson interviews the revered bassist, Buster Williams, who has performed with a range of musicians including Thelonious Monk, Sonny Stitt, and Sarah Vaughan.
“You create something that is unconstrained; it doesn’t come from talking about this is what we’re going to create. You just start playing, you’re enjoying each other. Another thing is repertoire doesn’t necessarily change so drastically. You’re playing the same tunes, night after night, and because of your creative being, you strive to do something different. And you’re developing, you’re growing. So, the music develops and grows. What happened with Herbie [Hancock] The Sextet, is we were willing to let the music grow to the point where the music was the defining determinant of our actions. Rather than going on the bandstand and saying, ‘okay, this is what we’re going to play tonight.’ No, the music told us what we were going to play, and how it’s going to happen. This can’t happen without trust. And trust like that can’t really happen unless you’ve built a body that the collective reality of each one of you surrenders to. This collective body is what is determining things. This collective body belongs to the music. It wasn’t about any one of us, it was about the trust that we had.” –Buster Williams, Virtuoso Bass
Jon Liebman is the founder of the popular website Forbassplayersonly.com and has interviewed 800 bass players including Sting, Paul McCartney, etc. After publishing nine very successful instructional books for bass players, he recently put out Funk/Jazz/Bass endorsed by Bunny Brunel, Alain Caron, Carlitos Del Puerto, Bakithi Kumalo, and Chuck Rainey with the Foreword by Nathan East. Funk/Jazz/Bass is Liebman’s first non-instructional book that “illustrates the numerous possibilities of playing funk/jazz bass by analyzing how the bass greats have done it.” In Liebman’s interview, he talks about his background as a bassist, and what inspired his website and his latest book. “Funk/Jazz/Bass is ‘a play in the style of’ book. And I tried to get a good cross-section of some of my bass heroes. [There is] Richard Bona, Bryan Bromberg, Meshell Ndegeocello, there are 30 altogether.” –Jon Liebman, Virtuoso Bass
“Remembering Chick Corea” is a retrospective on the legendary keyboardist’s life. Anybody who knows anything about Bunny Brunel, knows his career was launched as a result of his nine years playing with Corea. It was Bunny’s desire to pay tribute to the brilliant fusion pianist who changed his life. Inside issue 2, Virtuoso Bass delves deep, profiling the 23-time Grammy-winning pianist and featuring highlights from Corea’s most recent interviews, his important releases, and his wildly prolific career. And in “Bunny Brunel Moments,” Bunny talks candidly about his time with the keyboard giant whose music will always live on.
Virtuoso Bass investigates two fast-growing Facebook Groups, For Bassists and Jazz Rock Fusion. And if you ever wanted to know who invented the drum machine, interviewed this issue is Roger Linn who tells the backstory that leads up to his latest technology, the LinnStrument.
Virtuoso Bass features contributions from Bunny Brunel (Editor at Large), Kaylene Peoples (Executive Editor), Florentino Buenaventura (Tech Editor), Sean McKenzie (Managing Editor), Sheryl Aronson (Buster Williams Interview); Udo Spreitzenbarth (Cover & Editorial Photographer), Ty-Ron Mayes (Stylist for Cover & Editorial), and Quintell-Williams Carter (Fashion Assistant for Cover & Editorial)
Advertisers: LaBella Strings, SIR Studios, and The Gibson Bass Book
Bunny Brunel is the Editor at Large of the premier lifestyle magazine for bass players. Launched in 2020, the very first issue featured Bunny Brunel on the cover, Kyle Eastwood (back cover), Eddie Gomez, Carol Kaye, Larry Dunn, Stanley Clarke, and AMPEG SVT. Bunny Brunel talks about his mission for the magazine. “I want to talk about great players, and some of these guys, nobody ever mentions. If the media is going to publicize bass players, they should focus their attention on those great players who are responsible for what followed after,”—Bunny Brunel.
To purchase the print version of Virtuoso Bass Issue 2, visit Amazon.com. To get the digital copy, visit virtusosbass.com. For an exclusive autographed copy of Virtuoso Bass magazine by Bunny Brunel, please visit bunnybrunel.com/bunnys-store
Jeffrey Osborne and Eric Darius headlined at the 2022 Oxnard Jazz Festival that featured a talented lineup of musicians with Kelly’s Lot, Queens of Soul Jazz, Blake Aaron, Gold Coast Horns, Hiroshima; Thee Travis Miller, Erin Stevenson, Paula Atherton, Bunny Brunel, The Emotions, & Darryl Walker. And Executive Producer Chuck Dennis was honored by the City of Oxnard.
September 17, 2022 – Oxnard, CA
On September 10th-11th, 2022, the Oxnard Jazz Festival presented a bigger-than-life concert event following a two-year hiatus. Lovers of jazz, soul, Latin, blues, and R&B came out in droves. The outdoor festival accommodated over 4,000 ticket holders with a sea of vendors, great cuisine, and most of all, great music. The festival featured artists with household names, as well as local talent. The top contemporary jazz bands graced the OJF stage, many are Billboard-charting artists. What is unique about the festival, it offers a stage and embraces diversity, women musicians, and honors legends. Paula Atherton, whose new release is climbing the Billboard charts performed on Sunday. This multi-instrumentalist not only played sax and flute, but she sang, too. Queens of Soul Jazz, starring Billboard chart-topping artists saxophonist Jeanette Harris and flutist Althea Renee brought the house down with their highly skilled instrumental set, and renown singer Erin Stevenson captivated with her soulful vocal performance. The Oxnard Jazz festival brought to the stage top smooth jazz artists saxophonist Eric Darius, vocalist Darryl Walker, guitarist Blake Aaron, and introduced the new group Gold Coast Horns with Billboard artists saxophonist Jeff Ryan, trumpeters Lin Rountree and Johnny Britt performing.
The Oxnard Jazz Festival showed the world that we only get better with age. Legendary Musicians with 40-year careers fascinated the crowd who enthusiastically embraced and praised these seasoned icons. The Grammy-winning group, The Emotions, are still performing and evoking old school memories. During their performance, people crowded around the stage to sing along to their well-loved songs. Fusion giant Bunny Brunel played the groove-heavy music of his Grammy-nominated band CAB as the audience listened and watched in awe the former Chick Corea band member. Hiroshima who has sold over 50 million albums in their career is still penetrating souls with their esoteric, thoughtful music. And the 70-something, multi-Grammy-nominated crooner Jeffrey Osborne, is still the stirring entertainer he was in his 40s—nothing has changed! Osborne was engaging and comical during his show while he performed his litany of hit songs at the Oxnard Jazz Festival. Even with the inclement weather on that Saturday, the headliner told the audience, “If at 74 years of age, I can feel energetic, then so can you. Let’s party with me singing my “old school” songs. Are you with me? And the audience’s approval kicked Osborne’s performance into high gear. He brought the house down!
On the opening day of the festival, Oxnard’s mayor, John C. Zaragoza, presented Chuck Dennis a Certificate of Appreciation for the 5th Annual Oxnard Jazz Festival. Dennis was also honored by Ventura’s city council with Vince Stewart presenting.
Chuck Dennis Awarded by Venture City Council
Chuck Dennis Awarded by Mayor of Oxnard
Chuck Dennis, Producer of the Oxnard Jazz Festival:
“The highlights of the festival for me was watching the faces and the expressions of the audience of people really having a good time. The Oxnard Jazz festival is not just me, it also includes my great team. And I was especially thrilled to have been able to introduce my personal group, The Gold Coast Horns, on the OJF stage. We have a brand-new single called ‘Bounce to This’—this was their introduction to the world!”
Sheryl Aronson, OJF’s PR Director of Artist Relations
“The community of Oxnard works together to put on this great festival. The staff is very loyal and has worked with Chuck for years, we’re just such a great team, making the absolute best experience for the ticket holders. The motto is “Feel the Groove,” and you can really see that. Everybody gets up and dances. People and some of the VIPs have been coming back for years and everybody knows each other. It’s just like one big happy family get-together!”
The all-star lineup with two days of performances, as well as a diverse range of music, gave the festival goers a potpourri of styles. The OJF is an outdoor festival, held at the Oxnard Beach Park, and those in attendance came out in droves in spite of the weather. Day 1 was unprecedently gloomy with intermittent rain. Guests said that it was a break and a relief from the heatwave Southern California had been experiencing. On day 2, the sun came out and temperatures exceeded 100 degrees, but it didn’t stop the party. Music lovers filled the venue both days and some even traveled across the country to see their favorite musicians; and Kyle Eastwood and Sherry Gordy were just a few of the celebrities that were also in attendance.
OJF’s Lineup on Saturday, September 10, 2022:
Kelly’s Lot; Queens of Soul Jazz (Jeanette Harris and Althea Renee); Blake Aaron; Gold Coast Horns (Johnny Britt, Jeff Ryan, Lin Rountree); Hiroshima; and Jeffrey Osborne
OJF’s Lineup on Sunday, September 11, 2022:
Thee Travis Miller; Erin Stevenson, Paula Atherton; Bunny Brunel; The Emotions; Darryl Walker; and Eric Darius
“Shout out to Oxnard. The entire city is amazing, I’m just so thankful to be here. Everybody is so wonderful and they know all the lyrics! It’s just such a blessing to still be doing this. I’m 70 years old, but I still feel 30. I love singing, and that’s what keeps me young.” –The Emotions, Wanda Hutchinson-Vaughn
“I had a great time playing to such a welcoming crowd at the Oxnard Jazz Festival. I was joined by some amazing musicians, playing the music of CAB as well as honoring the person who started my career, Chick Corea. I always pay a small tribute to him on my shows with tunes like we did today, ‘The Slide’ and ‘Spain.’ I have to give it to Chuck Dennis for extending his platform to jazz-fusion.” –Bunny Brunel
“We never consider the people who listen to our music as fans but as a part of our growing cultural community. The whole point is [to bring people together], it’s about unity, and that’s why June [Kuramoto] can play from her heart because she wants to bring people back there every time she plays.” –Hiroshima, Dan Kuramoto
About OJF’s Headliners:
Jeffrey Osborne (Photo: Sheryl Aronson)
“The audience makes it fresh because it’s always different. I am striving to touch the people who come to my concerts, which is the most important component to my performance. I want to make sure everyone enjoys themselves and has a good time—it stays fresh with me. My first love is performing live. I love recording, but there is a cold aspect to it. It’s just me and an engineer. But performing live, I’m out in front of people that have been my fans for many years and their chemistry is what gets me going. I feed off of them and they feed off of me, and there’s no other feeling like it.”—Jeffrey Osborne, AGENDA Magazine
Eric Darius (Photo: Sheryl Aronson)
“I’ve evolved in every single way. When I go back and listen to my older albums, I feel everything has been elevated. I’m always pushing myself musically. From a stage performance standpoint, I’m bringing new dimensions to my show.” Eric Darius goes on to say, “I’m passionate about what I do; I am someone who gives 110% and someone who truly loves sharing his gift of music. I believe God has blessed me with this gift. The fans motivate me and inspire me. I’ve stayed true to myself and stayed true to my music.”—Eric Darius, Schmooze Jazz Magazine
The 5th Annual Oxnard Jazz Festival Sponsors:
Presenting Sponsors: Chuck Dennis Production, Alexander Cadillac, Stella Artois, Advocate Society Wellness, T-Mobile, The Port of Hueneme, Bard Boys, Victoria Entertainment, LLC
Gold Sponsors: Coast Cart, Hueneme Beach Festival, Schmooze Jazz Magazine, Coca-Cola, City of Oxnard, Mission Healthcare
Media Sponsors: KJLH 102.3 FM, Fuego 97.1 FM, Old School 104.7 FM; Alpha Digital Printing (ADP), Divine Brown Media Group, Emerald City Communications & Marketing, LLC
Community Partners: Bud Light, Bomb Life (Ventura County), Good Choice Catering, Costco Wholesale, Holiday Inn Express (An IHG Hotel), IMW – IVIE McNeil Wyatt Purch & Diggs; Fantasy Life Car Show, Marriott Ventura Beach, Pucker Up, Residence Inn Marriott, Nestle; Orange Theory Fitness, Salzer’s Records, Union Bank, Switch Car Club, Sparkletts, Mission Healthcare, Victoria Entertainment, LLC
“After a two-year hiatus due to the pandemic, it was very exciting to work on this year’s jazz festival. As the festival’s executive director, the goal for our fifth year was to bring A-list Jazz, Latin, Soul, Blues, and R&B musicians, vibrant retail, and diverse food vendors, as well as many other inviting attractions to make the festival a top-level event and destination to close out the summer festival season. With over 4000 attendees smiling, dancing, singing, enjoying friends and family among the swaying palm trees near the beach with beautiful white sand dunes and the Pacific blue waters in the background, I think we accomplished our goal!”—Daphne King, Executive Director of the Oxnard Jazz Festival
About Oxnard Jazz Festival:
With the motto, “Feel the Groove,” OJF is a cultural music celebration offering a diverse concert experience with the option of VIP seating in an incredible outdoor setting, complemented by scenic beaches, vendor booth shopping, cultural foods, and many other inviting attractions that make the festival a top event and destination to close out the summer festival season. The Oxnard Jazz Festival is a medley of jazz, Latin, soul, blues, and R&B. Southern California’s best-kept secret, Ventura County, is the gateway to the “Gold Coast” and home to some of the most respected jazz musicians in the country. The city of Oxnard is a vibrant and culturally diverse community, and known as the “Strawberry Capital.” Its historical, recreational, and environmental assets make it listed as one of the wealthiest areas in America, cultivating an exciting celebration of music. The Oxnard Beach Park has beautiful white sand dunes and Pacific blue waters in the background, offering a resort experience. The beaches are known for their sunshine, mild surf, and easy access; they are a five-mile stretch of sand that’s a romantic spot for sunset watchers. If you love music, you will love the Oxnard Jazz Festival! (oxnardjazzfestival.com)
Florentino Buenaventura (CEO of EnterTalk and founder of Concerts.Cafe) launched the first of many in-person musical performances with artist-branded coffee and an all-star musical lineup!
A spectacular evening, starring The Myron McKinley Trio, featured Sy Smith (Chris Botti), Rebecca Jade (Sheila E.), Adam Aejaye Jackson (Toni Braxton), and dancer/choreographer Sonya Enchill Om (Alvin Ailey). These dynamic performers entertained the San Diego crowd on Sunday, September 12, 2021, at 7:00 pm at the Pavilion Theater. The in-person event was just one of many concerts headed by EnterTalk’s CEO Florentino Buenaventura who has erected a unique concert-going experience. Buenaventura is a pioneer who has continued to put on live (and streaming) concerts before and during the pandemic. He launched Concerts.Cafe last spring (with Paul Berezetsky, COO) as a promotional outlet and resource for musical artists and bands looking to build their online presence while supplementing their income via digital ticket sales and signature consumable merchandise. Partnering with The Legacy Resort Hotel and Spa, Concerts.Cafe launched its first monthly in-person concert at their 500-seat theater. The Roaring Twenties-themed show was a nod to the early 20th century variety/cabaret shows with art directed sets and the essence of theater. The talented musicians were bandleader/pianist Myron McKinley (Earth, Wind & Fire), upright bassist Ian Martin (David Foster), drummer/percussionist Stacey Lamont Sydnor (The Jacksons) with guitarist Tony Pulizzi (Stevie Wonder), and saxophonist and Grammy winner Gary Bias (Anita Baker). The spectacular band filled the evening with an amalgamation of New Orleans jazz, blues, and soul, accompanying the incredibly gifted vocalists.
Sonya Enchill Om, Gary Bias (R), and Tony Pulizzi in Back (L) (by Sheryl Aronson, SasaPhotos.com)
In attendance were bass fusion giant and 2-time Grammy-nominated Bunny Brunel (CAB), multi-award-winning recording artist/producer Kaylene Peoples (Hubert Laws), drummer/percussionist Walfredo Reyes Jr. (Chicago), and San Diego’s own producer/bassist Josquin des Pres (Jason Mraz, The Gipsy Kings)
The Featured Performers:
Myron McKinley is a Juilliard-trained pianist, producer, songwriter, film composer, and is the current musical director and keyboardist for the legendary ensemble Earth Wind & Fire. He has toured extensively with Stanley Clarke, Chaka Khan, En Vogue, Whitney Houston, and many others. Sy Smith has a vocal range spanning five octaves, doing background gigs with Whitney Houston in the late 90s, and has worked with trumpeter Chris Botti and Foreign Exchange. Rebecca Jade has a chameleon-like quality to her voice, where she delivers each song uniquely. Touring with Sheila E., she appeared in the Emmy-nominated Let’s Go Crazy: The GRAMMY Salute to Prince, and sang background vocals for Sir Elton John at the 2020 Academy Awards. And Adam Aejaye Jackson, a native of Detroit, Michigan, began singing in church at the early age of three and has worked with Toni Braxton, Melissa Manchester, David Foster, and others.
Featured Vocalists Adam Aejaye Jackson & Rebecca Jade (by Sheryl Aronson, SasaPhotos.com)
“The Speakeasy” highlighted contemporary songs, arranged in styles from the Roaring Twenties! A bold statement of the era entertained the audience through music, set design, and costumes. Southern blues kicked off the festivities and set the tone for the awaiting audience. Tony Pulizzi was dynamic as he shredded on his guitar and ushered in vocalist Adam Aejaye Jackson. The audience was transfixed during Jackson’s moving rendition of ‘Walk on By.’ Other highlights of the evening were Rebecca Jade’s interpretation of Nat King Cole’s ‘Nature Boy,’ and closing act Sy Smith, who was stunning in her form-fitting 1920s quintessential black gown, gave a powerful performance of Sting’s ‘If You Love Somebody Set Them Free’; Smith’s entrance and exit was pure theater! With the audience eager for more, the musicians stepped up with a rousing encore with the Beatles classic, ‘Eleanor Rigby.’” –Schmooze Jazz Magazine
Sy Smith & Ian Martin (by Sheryl Aronson, SasaPhotos.com)
Florentino Buenaventura Talks About the Concept of Concerts.Cafe:
“We do concerts with coffee so people can engage the brand. If you weren’t present at the show, you will be able to see it recorded later online, but that magic from those in attendance is once-in-a-lifetime. The people there, the audience . . . it’s all a part of that magical experience. The energy was electric. With Myron—when he’s not on tour with Earth, Wind & Fire—we’re looking to do a more regular series. For the next one, we’re thinking about doing the 70s era with disco, soul, and featured singers.
Florentino continues . . .
“We don’t make money on music anymore, and sustaining a career for musicians, the music is in the marketing. For genre-specific musical styles, we can take it [worldwide] and give people access to a far-reaching live concert experience. During the pandemic, we were doing a lot of that. Then when we launched in April, we had a surprisingly big audience. In May, the live venues opened back up, causing a severe dip in revenue. Live streaming is the long game and an in-person concert . . . you’ll either sell-out or not. When you bring the two together, you have a residual income to go along with a one-off show. With Concert.Cafe, we’ve got the platform, the ticketing, and the ability to do the bundling packages with coffee and the concert or a dinner show. The food is simply amazing at The Legacy Hotel.”
EntertTalk’s CEO Florentino Buenaventura (Concerts.Cafe) poses with Renowned Bassist Bunny Brunel (by Sheryl Aronson, SasaPhotos.com)
About Concerts.Cafe
As the first interactive and immersive live streaming concert venue for lovers of live music and gourmet coffee, Concerts.Cafe is a unique, online concert experience for music fans and coffee connoisseurs. It is a web platform dedicated to pairing ticketed live music events and signature artist shops with consumable merchandise, offering shows in all genres with some of the finest organic flavors available in coffees and teas. Serving as a new revenue resource for music artists, Concerts.Cafe offers gourmet, artist-branded consumables and on-demand or live streaming music content to fans. Launched in April 2021, with a fantastic lineup of multiple music events and artist-inspired coffee flavors from which to choose Concerts.Cafe features special live streams and now in-person performances and artist coffee selections from a variety of musical artists and bands. (All in-person concerts adhere to Covid restrictions.) Visit https://concerts.cafe/
About The Legacy Resort Hotel & Spa
In the midst of California’s breathtaking natural beauty and moments from San Diego’s world-renowned beaches, you’ll find Legacy Resort Hotel & Spa. Surrounded by the Legacy International Center, a state-of-the-art complex with countless features and attractions, the resort is unparalleled amidst San Diego and Southern California hotels. There is no more ideal destination for both leisure and corporate travel than right here at 875 Hotel Cir. S, San Diego, CA 92108. Visit: https://legacyresortandspa.com/
During these uncertain times and the unpredictability of opening and closing of concert venues, in between a bit of calm was a concert to be remembered with heartfelt romantic music, equipped with LA’s top musicians. Leading the way was the dynamic Kaylene Peoples with her show titled “Romantic Bossa-Nova” – a breathtaking concert that has found its way into the hearts of serious Bossa-nova enthusiasts on July 17, 2021. For starters, guest performer Larry Dunn, a 7-time Grammy-winning artist and original member/songwriter/keyboardist (formerly) of Earth Wind & Fire opened with a gripping performance of his composition “Runnin’.”
(Gallery Photos by Alex Kluft Photography)
Larry Dunn Performs “Runnin'”
Larry Dunn and Bunny Brunel
Chad Wackerman
Kaylene Peoples & Bunny Brunel
Bunny Brunel (who became famous from his nine-year stint with Chick Corea), the 2-time Grammy-nominated bassist performed on fretless and (his BBEUB) upright bass; and probably wore the most hats that evening (at the Catalina Jazz Club) as musical director. The French-born American sang in Brazilian Portuguese and soloed on his fretless bass on Kaylene Peoples’s intriguing arrangement of “Aguas de Março” (Waters of March) from her Romantic Bossa-Nova 2020 release. With Chad Wackerman (Frank Zappa) on drums and Grammy-nominated Dennis Hamm (Thundercat) on the 9-foot grand piano at the revered Catalina Jazz Club, the musical score was beyond dynamic. Joined by Guitarist Joe Calderon (Dianne Reeves) and percussionist Jon Brooks (Macy Gray), the performers laid the foundation for an evening of “soulful” Bossa-nova, as described by Levy Lee Simon, who was in attendance that night.
“I am a big fan of Bossa-nova, and it was my first time seeing Kaylene Peoples perform her show; I was blown away by it. Her voice magically elevated and took me on a ride to another place and time. I don’t know many artists—male or female—that can sing and play the flute equally well. And to top it off, the show is so damn s**y. Peoples exudes sensuality with every move, with every sound, with every note. Kaylene’s band with Bunny Brunel and guest artist Larry Dunn is exceptional. I had a great time—I believe a great time was had by all.” –Levy Lee Simon, Multi-Award Winning Writer/Actor/Director/Producer
Dennis Hamm & Larry Dunn (Photo: Alex Kluft )
There have been many incarnations of Bossa-nova since the style took off in America with “Desafinado” from Stan Getz and Charlie Byrd’s Jazz Samba in 1962; Dave Brubeck Quartet in January 1962, recording “Vento Fresco” from Bossa Nova USA; and Herbie Mann’s “One Note Samba” from his Brazil, Bossa Nova & Blues in late 1961 or early ’62. (Referenced from Jazz.FM 91 “How Brazil’s Bossa-nova Became All the Rage in ‘60s America,” by Marc Myers.) What Kaylene Peoples brings to the genre is a mix of American soulful tradition, jazz improvisation, and instrumental virtuosity, making “Romantic Bossa-nova” an original embodiment of the style. Kaylene’s love for music started as a child as she learned to solo on the flute while her father, who was a self-taught musician, would play the blues on the piano.
Kaylene Peoples on Flute (Photo: Alex Kluft)
“I always love to talk about how I got started improvising. Sometimes my dad and I would be up at 3am just jamming, playing my flute until my mom would cut it off! I was just a kid. I had to get up in the morning and go to school! Those are fond memories for me. I thank my dad for pushing me. I loved it! And to this day, I incorporate my flute in my compositions and my performances.”—Kaylene Peoples
These early musical experiences inspired Kaylene to compose and arrange music. She went on to study composition with Academy Award-winners Walter Scharf, David Raksin, and Henry Mancini. She’s written symphonies, a ballet, and countless string arrangements throughout her career. This education comes through as a recording artist and can be heard in her jazz albums off of her Boogsey Music label: All Jazzed Up! (2005), The Meaning of Christmas (2013), My Man (2015), Carol of the Bells (2017), and Romantic Bossa-Nova (2020).
Chad Wackerman (Drums), Jon Brooks (Percussion), Nina Harris (BG Vocals), Joe Calderon (Guitar), Larry Dunn (Guest Artist) (Photo: Sheryl Aronson, SasaPhotos.com)
“Music speaks to our souls. I can change a scene or change a MOOD. Creating something from nothing, and watching how it affects others is what moves me. Whether it is a standalone composition or a new arrangement on a well-loved song, I love to watch people’s faces when they hear my compositions and arrangements. And countless people have told me that they were blessed by my music. Those testimonies are what moves me the most!” Formidable Women’s Magazine, “Kaylene Peoples – The Renaissance Woman” Interview by Jules Lavallee
Joe Calderon (Photo: Alex Kluft)
Kaylene Peoples Romantic Bossa-Nova was inspired by a private concert that featured singer/actress Chase Masterson (Star Trek: Deep Space 9, Leeta) with guest performer Dave Pell (Saxophonist & Founder of West Coast Jazz). Sadly only a few months after that first “Romantic Bossa-Nova” show, Dave Pell passed away. Kaylene Peoples in collaboration with Chase Masterson, and co-composer Bunny Brunel wrote “Dave Pell-Just for Fun.” The song is featured on the Romantic Bossa-Nova CD. So what can one expect from Peoples’s show: “So Nice” and “Spain” off of My Man CD; “Once I Loved,” “How Insensitive,” “One Note Samba,” and “Girl from Ipanema” from All Jazzed Up! Then from Romantic Bossa-Nova, “Berimbau,” “Telephone Song,” “Agua de Beber,” “Corcovado,” “Waters of March,” “Bésame Mucho,” and “Dindi.” Every Kaylene Peoples concert comes with an element of mystique. Whether it’s a surprise giveaway, or a heart-to-heart with an audience member during a set, or maybe even a surprise celebrity guest performer.
Designer Kevan Hall, Luisa Dunn, and Larry Dunn (Photo: Sheryl Aronson, SasaPhotos.com)
“I was so very blessed to sit in on a couple of songs during this beautiful concert with the extremely talented and beautiful Kaylene whose vocals and flute performance was off the chain, which also featured my buddy, world-renowned bassist Bunny Brunel, along with the other unbelievably top notch musicians! It was truly an honor playing with these extremely talented “peoples”, no pun intended! And I am such a lover of Brazilian music, at any rate, all I can say is I had a ball and y’all should’ve been there!” – Larry Dunn
“I enjoyed this concert immensely. The ambiance and atmosphere was so relaxing, and seeing happy faces, it was so nice to get out and hear some real live music. The performance was wonderful and dreamy, and being of Latin decent, it was so refreshing to hear the hypnotic Brazilian rhythms. Kaylene’s vocals AND flute interpretations were awesome. Both original compositions and classics are so beautiful. I have the CD, and I love it; it was so wonderful to hear it live. And Bunny Brunel—everybody knows him as a bass giant; so many were surprised to hear him sing. What a treat. And Larry Dunn always brings some fire by playing those beautiful melodic solos. All the band members were on point and beyond! Great concert. So glad I was there.” Luisa Dunn, Vocalist/Producer/Composer, and Award-Winning Recording Artist
Kaylene Peoples Romantic-Bossa Nova
Kaylene Peoples will be performing “Romantic Bossa-Nova” with opening performer Gary Stockdale on Sunday, September 26, 2021, at 8:00 pm at Feinstein’s at Vitello’s, located at 4349 Tujunga Ave., Studio City, CA, 91604.
“I like to keep people guessing. I’ll change up my material and even introduce a new flavor to the set. I just love observing the reactions of the audience. And as long as those beautiful souls are smiling and dancing in their seats, I’m happy. With my next Romantic Bossa-Nova concert, there just might be a surprise guest performance. You’ll just have to buy a ticket to find out!” –Kaylene Peoples, Multi-Award Winning Recording Artist & Producer
About Kaylene Peoples: L.A. Music Awards-winning Producer Kaylene’s first jazz CD All Jazzed Up! (2005) made a splash across the nation when her single “Do You Remember” was played across the country. The single climbed to the top of the independent charts (AC40/NMW! Top 100 Chart/FMQB & ACQB! and Indie 100 chart). Her 2015 release, My Man, blew up the airwaves and impressed concertgoers. Her song “Giant Steps” is an (Akademia) award-winner, featuring Hubert Laws, Bunny Brunel, and Bobby Lyle. And her CD Romantic Bossa-Nova (2020) is a smash hit amongst Bossa-nova fans. This former model and two-time State Beauty Pageant winner boast a rare 5-octave vocal range, is a multi-instrumentalist, and is a composer/arranger/conductor. Kaylene’s soloing instrument of choice is the flute. In honor of her father, she incorporates it heavily into her music. Peoples has performed/recorded with Bunny Brunel, Bobby Lyle, Hubert Laws, Stanley Clarke, Patrice Rushen, Jeff Goldblum, Larry Dunn, and others. Kaylene Peoples continues to blow her audiences away with her incredible vocal performances and equally impressive instrumental virtuosity! Visit: https://www.kaylenepeoples.com
The Romantic Bossa-Nova CD: Romantic Bossa-Nova is a breathtaking musical performance with a uniquely heart-warming interpretation of Bossa-nova at its best. Antonio Carlos Jobim, Cole Porter, Norman Gimbel, Vinicius de Moraes, and others with the songs “Night & Day,” “Corcovado,” “Waters of March,” “Dindi,” “Berimbau,” “Besame Mucho,” and more sung in Portuguese, English, and French by award-winning recording artist/producer/musician Kaylene Peoples. The CD features internationally acclaimed and 2-time Grammy-nominated bassist Bunny Brunel with a special treat on “Waters of March” (Aguas de Marços), where Bunny sings a duet in Brazilian Portuguese with Kaylene, and Bunny plays a “mean” Brazilian rhythm guitar the entire album while soloing and grooving on fretless and upright bass in the traditional Latin style! Since the first Romantic Bossa-Nova concert in 2016, Kaylene Peoples has been performing this show and touching the hearts of romantics, leading up to the release of the album in 2020. Romantic Bossa-Nova is touted as the most romantic show in town, and growing in popularity with every performance!
Top jazz musicians Bunny Brunel and Kaylene Peoples perform “Romantic Bossa-Nova” to celebrate acclaimed artist Tom Wright’s newest abstracts at La Bohème Café in West Hollywood on Thursday, July 8, 2021.
Abstract painter Tom Wright will be unveiling his bigger-than-life canvases at the West Hollywood Summer Free Jazz and Art Festival on July 8, 2021, from 9 am throughout the evening at La Bohème Café, located at 8400 Santa Monica Blvd., West Hollywood, CA. As a long-term resident of West Hollywood, Mr. Wright has supported the community for years. “These are large, full-color art pieces, painted on a canvas that is 9 feet by 15 feet and 6 feet by 9 feet . . . with vivid colors and patterns of happiness,” says Wright. This is the second exhibit Tom Wright has had at La Bohème Café. His previous showing was only a month prior where he showed his framed paintings chosen from his vast collection of abstracts.
Tom Wright (Abstract Painter)
“If you look up “Renaissance Man,” surely the name “Tom Wright” would come up — If nothing more than discussing his varied art which imitates life. Through his complex journey as an artist, his forms and expressions are reminiscent of the Picassos, the Van Goghs, and the French impressionists. Something as basic as a shopping bag could be his subject.” —Agenda Magazine
“This artist has been attracting a lot of attention lately due to his ‘think outside of the box’ approach to abstract art.” —TheHollywoodTimes.today
Internationally famous, two-time Grammy-nominated bassist Bunny Brunel and award-winning recording artist (jazz vocalist/flutist) Kaylene Peoples will perform “Romantic Bossa-Nova” with Grammy-nominated keyboardist Dennis Hamm, guitarist Joe Calderon, and drummer/percussionist Jon Brooks. The concert is from 11 am to 12:30 pm.
The event is at La Bohème Café (The Outdoors Cafe) , located at 8400 Santa Monica Blvd., West Hollywood, CA 90069 on Thursday, July 8, 2021, with the Tom Wright art exhibit starting from 11 am – all day.
The Outdoors Cafe
About Tom Wright:
The Los Angeles artist, Tom Wright, exhibited three examples from his catalogue of paintings that were created over his lifetime. His abstract entitled “The Wolf at the Door” may unlock your fear of the unknown by focusing on the wolf’s menacing image at the door to your world, peeping through the door blinds. On further evaluation, there seems to be a faceless image with an orange hat that makes the viewer question whether or not the wolf is on the inside, and the orange faceless image is looking in! Tom will often combine many worlds in his paintings and may even incorporate more lines and levels to keep the gallery of people guessing where he’s going with his art, leaving much to the viewer’s interpretation. A prolific painter whose art crosses multiple platforms, Wright’s medium of choice is acrylics and he is a master at impressionism and complex abstracts, using anything from canvas to paper bags, and painting satire to self-portraits with themes ranging from somber to joyful to alarming. Great use of the color palette, Tom Wright’s paintings are imaginative, colorful, and emotionally stirring, and a favorite amongst local galleries. Visit: IG mrtomewright
About Bunny Brunel:
When it comes to the bass, two-time Grammy-nominated Bunny Brunel is the master and a musician’s musician! From defining his signature style on fretless, upright, and electric basses, to authoring numerous instructional books on bass technique and theory, there is no end to Brunel’s musical mind. Bunny has 15 albums from his first, titled Touch (1978) to his latest, the highly praised historical CD Bass-Ball (2017), a co-production with Bunny Brunel and Stanley Clarke. Bunny’s band CAB earned a Grammy nomination for CAB 2 Best Contemporary Jazz Album. Bunny Brunel is revered as one of the four who started the jazz-fusion bass movement (with Stanley Clarke, Jaco Pastorius, and Jeff Berlin). He was a member of Chick Corea’s band for 9 years, earning him his first Grammy nomination, and has played with Tony Williams, Herbie Hancock, Wayne Shorter, etc. He has graced the covers of (PN’P) Plug N Play, Bass Musician, Basics; and has been featured in Bass Player, No Treble, Bassiste, For Bass Players Only, and others; and now Brunel holds the prestigious title as the Editor at Large of Virtuoso Bass magazine! Visit: https://www.bunnybrunel.com
About Kaylene Peoples:
L.A. Music Awards-winning Producer Kaylene’s first jazz CD All Jazzed Up! (2005)made a splash across the nation when her single “Do You Remember” was played across the country. The single climbed to the top of the independent charts (AC40/NMW! Top 100 Chart/FMQB & ACQB! and Indie 100 chart). Her 2015 release, My Man, blew up the airwaves and impressed concertgoers. Her song “Giant Steps” is an (Akademia) award-winner, featuring Hubert Laws, Bunny Brunel, and Bobby Lyle. And her CD Romantic Bossa-Nova (2020) is a smash hit amongst Bossa-Nova fans. This former model and two-time State Beauty Pageant winner (Miss California Young Miss; Miss Golden State) boasts a rare 5-octave vocal range, is a multi-instrumentalist, and a composer/arranger/conductor. Kaylene’s soloing instrument of choice is the flute. In honor of her father, she incorporates it heavily into her music. Peoples has performed/recorded with Bunny Brunel, Bobby Lyle, Hubert Laws, Stanley Clarke, Patrice Rushen, Jeff Goldblum, Larry Dunn, and others. Kaylene Peoples continues to blow her audiences away with her incredible vocal performances and equally impressive instrumental virtuosity! Visit: https://www.kaylenepeoples.com
