Bobby Lyle – First Take PR

March 21, 2024

Schmooze Jazz Issue 2 Explores the World of Jazz Culture with Dynamic Content and Contemporary Jazz Luminaries

In this issue, Pianist Bobby Lyle is joined by Spyro Gyra, Pete Escovedo, Paula Atherton, concert recaps, CD reviews, a retrospective on Astrud Gilberto, and more!

PR UNDERGROUND, March 19, 2024

The grand return of Schmooze Jazz magazine ignites the hearts of music aficionados with its second installment. This edition is not just a magazine; it’s a veritable deep dive into the heart and soul of contemporary jazz, promising an extensive and immersive journey that will leave readers fascinated. Leading the charge in this edition is the enigmatic pianist extraordinaire, Bobby Lyle, whose musical genius has transcended time and continues to inspire legions of fans worldwide. Through an exclusive interview, Lyle peels back the layers of his creative process, offering intimate insights into his approach to composition, arranging, and the myriad influences that have sculpted his illustrious career. Complementing Lyle’s revelations are the mesmerizing images captured by photographer Ash Gupta, immortalizing Lyle’s essence in every frame and bringing an added dimension to the magazine’s exploration of jazz’s ever-evolving narrative.

Schmooze Jazz Issue 2 Features Paula Atherton — Paula Atherton is interviewed by Sheryl Aronson in Schmooze Jazz Issue 2

Schmooze Jazz magazine includes a diverse array of interviews featuring Billboard-charting artists such as Eric Darius, Kim Scott, Paula Atherton, and Terry Wollman. Each interview is a treasure trove of wisdom and inspiration, providing readers with a rare glimpse into the lives and creative processes of these amazing musicians.

Jay Beckinstein (Spyro Gyra) is interviewed by Kaylene Peoples for Schmooze Jazz Issue 2

Delving deeper into the registers of jazz history, this edition features a captivating retrospective on the incomparable Astrud Gilberto, crafted by Schmooze Jazz‘s Executive Editor and Jazz/Bossa-nova artist Kaylene Peoples. Percussionist Pete Escovedo, father of Sheila E, regales readers with captivating anecdotes from his storied career. Two contributions from Concerts.Cafe include pianist Myron McKinley who sheds light on his role as Earth, Wind & Fire’s musical director and his latest CD, Sound Alchemist; and singer/musician Rebecca Jade opens up about her career and her new CD Shade of Jade.

Schmooze Jazz Issue 2 Article on Pete Escovedo — Schmooze Jazz Issue 2 features a conversation with percussionist Pete Escovedo

“Venturing beyond individual artists, Schmooze Jazz magazine serves as a guidepost for jazz enthusiasts, providing a comprehensive overview of Southern California’s vibrant music scene. From pulsating live concerts to soul-stirring festivals, event editor Sheryl Aronson meticulously curates the must-see events for jazz aficionados in the region, including the renowned Oxnard Jazz Festival, spearheaded by Chuck Dennis, who shares his inspiration for the rapidly emerging annual event in an exclusive interview. Additionally, contributing writer Michael Adam Cohen lets us live vicariously through his experiences on the Dave Koz & Friends at Sea excursion.

Flutist Kim Scott is interviewed in Schmooze Jazz Issue 2 by Kaylene Peoples

Keeping in step with issue 1, filled with CD and single reviews, issue 2 is a treasure trove of meticulously crafted CD reviews of notable releases: Keiko Matsui (EUPHORIA), Kenny G (INNOCENCE), Jeff Lorber Fusion (THE DROP), Lawson Rollins (HEARTWOOD), Yussef Dayes (BLACK CLASSICAL MUSIC), and Justin-Lee Schultz (JUST IN THE MOMENT).”

What sets this magazine apart?

“Schmooze Jazz” conveys a sense of community and conversation in the realm of jazz, facilitating the dissemination of newsworthy information, highlighting key events, developments, and achievements within the jazz industry in an engaging and informative manner. Founded by Kaylene Peoples in the role of Executive Editor and photographed by Ash Gupta—his second cover and editorial shoot, his first being with Dave Koz in the first issue—Gupta captures Bobby Lyle in his element. What makes Schmooze Jazz so significant is that it fills a void in jazz genres. As Bobby Lyle talks about critics placing jazz in a box in issue 2, Schmooze Jazz magazine incorporates other music styles that live on the fringe. These styles include Latin, R&B, and jazz crossover styles, among others.

Astrud Gilberto is profiled by Kaylene Peoples in Schmooze Jazz Issue 2

Schmooze Jazz also puts a spotlight on women musicians who have been an underserved demographic in music magazines. Learning about their journeys and successes paves the way for the next generation of women musicians. It’s important to remember that music knows no gender, and Schmooze Jazz is a celebration of the boundless creativity and spirit of contemporary jazz. With its engaging interviews, thought-provoking retrospectives, and expertly curated content, Schmooze Jazz magazine invites readers to embark on a transcendent journey through the rich world of modern jazz culture. Join the conversation, expand your musical horizons, and let the rhythm of jazz guide you.

Visit KL Publishing Group to purchase Schmooze Jazz Issue 2

About Schmooze Jazz

The second installment of Schmooze Jazz magazine represents a triumphant return, captivating readers with its rich array of interviews, retrospectives, and reviews. From the timeless brilliance of Bobby Lyle to the pulsating energy of Southern California’s jazz scene, each page invites enthusiasts on a captivating journey through the world of contemporary jazz. With its immersive content and meticulous curation, Schmooze Jazz magazine continues to be a guiding light for aficionados, celebrating the past, present, and future of this ever-evolving musical genre.

The post Schmooze Jazz Issue 2 Explores the World of Jazz Culture with Dynamic Content and Contemporary Jazz Luminaries first appeared on

Original Press Release.

March 18, 2024March 18, 2024

Schmooze Jazz Magazine Returns with Exclusive Insights, Dynamic Interviews, and the Legendary Bobby Lyle

FOR IMMEDIATE RELEASE, Los Angeles, CA

Schmooze Jazz magazine’s second issue promises an immersive experience for music enthusiasts, featuring captivating content ranging from exclusive interviews with legendary pianist Bobby Lyle to deep dives into the lives of contemporary jazz icons like Spyro Gyra and Paula Atherton. With comprehensive coverage of Southern California’s dynamic jazz scene, insightful retrospectives, and reviews of notable CD releases, the magazine offers a rich exploration of modern jazz culture. Don’t miss out on this compelling journey into this broader jazz spectrum.

Headlining this edition is Bobby Lyle, whose innovative approach to music continues to inspire generations. In an exclusive interview, Lyle shares his thoughts on composition and arranging, offering a glimpse into his diverse sources of inspiration. With a career marked by creativity and versatility, Lyle’s impact on the jazz scene remains unparalleled. Notably, photographer Ash Gupta’s images grace the cover and lifestyle editorial, capturing Bobby Lyle’s essence. Lyle’s commentary underscores the magazine’s commitment to exploring jazz’s diverse landscape and evolution. As Lyle aptly puts it, “I’ve always had a problem with so-called jazz critics who get this picture in their mind of what jazz is supposed to be . . . as jazz has evolved, it has borrowed from more and more sources.”

Offering a rich array of content, early in the magazine is a compelling interview with Jay Beckinstein of Spyro Gyra, a band whose extensive discography spans decades and continues to captivate audiences. Schmooze Jazz reflects on their remarkable legacy, praising their ability to traverse musical genres and eras while maintaining a distinctive sound. Spyro Gyra’s profound impact on contemporary jazz is undeniable, making their interview an early highlight. Join us in celebrating Spyro Gyra’s 50th anniversary.

This issue presents exclusive interviews with Billboard-charting artists such as Eric Darius, Kim Scott, Paula Atherton, and Terry Wollman. The issue also features a retrospective on Astrud Gilberto, penned by Schmooze Jazz‘s Executive Editor and Jazz/Bossa-nova artist Kaylene Peoples. Notably, percussionist Pete Escovedo, father of Sheila E, enlightens readers about his successful career. Moreover, pianist Myron McKinley discusses his evolution as Earth, Wind & Fire’s musical director and his recent album Sound Alchemist.

Further enriching the publication is a comprehensive overview of Southern California’s exciting jazz scene, with live concerts, festivals, and more, meticulously curated by event editor Sheryl Aronson. Aronson also interviews Oxnard Jazz Festival’s Chuck Dennis who shares his inspiration for the rapidly emerging annual event. The magazine also reviews notable CD releases, including Euphoria by Keiko Matsui, Innocence by Kenny G, The Drop by Jeff Lorber Fusion, Heartwood by Lawson Rollins; Black Classical Music by Yussef Dayes, and Just In The Moment by Justin-Lee Schultz. Additionally, contributing writer/photographer Michael Adam Cohen shares insights from the “Dave Koz & Friends at Sea” experience. Vocalist Rebecca Jade and her new CD is highlighted in the issue, adding further depth to its coverage.

ABOUT:

Schmooze Jazz magazine stands at the forefront of contemporary jazz exploration, offering an engaging platform dedicated to the vibrancy of modern jazz and its diverse intersections with other musical genres. With a keen focus on insight and exploration, Schmooze Jazz magazine provides readers with an in-depth look into the stories behind the music, featuring exclusive interviews with established legends and emerging talents alike. Beyond its commitment to spotlighting the big names in contemporary jazz, Schmooze Jazz magazine celebrates the rich diversity of voices and styles shaping the genre today. From smooth jazz to fusion, Latin influences to electronic experimentation, each issue invites readers to discover new sounds and expand their musical horizons. Expertly curated reviews, insightful commentary, and a comprehensive overview of the global jazz scene further distinguish Schmooze Jazz Magazine as an essential guide for navigating contemporary/crossover jazz. Whether you’re a seasoned enthusiast or a curious newcomer, Schmooze Jazz magazine welcomes you to join the conversation, explore new sounds, and immerse yourself in their dynamic world. Schmooze Jazz is your essential guide to contemporary jazz and crossover Genres! Visit schmoozejazz.com! Schmooze Jazz is a KL Publishing Group publication.

Contact:
First Take PR
Email: sean@firsttakepr.com
Phone: 213-576-9946

August 10, 2017September 28, 2023

Bobby Lyle to Perform at the 30th Annual Long Beach Jazz Fest

BOBBY-LYLE-2016-BY-DEVIN0-TRICOCHE-FIRSTTAKEPR

On Saturday, August 12, 2017, Emmy-nominated keyboardist Bobby Lyle will be performing at 2:30 pm at the Long Beach Jazz Festival, along with Ndugu Chancler on drums, Alphonso Johnson on bass, Craig T. Cooper on guitar, and vocals by Bridgette Bryant.

“We have a great show in store you. See ya there!” -Bobby Lyle

For over 2 decades, the #LBJazzFest has been a trailblazer consistently refining the essence of a premier jazz festival beyond celebrated artists and mellow ambience. The Long Beach Jazz Festival experience is more than music, mingling, munching and marveling at merchandise. Attendees will enjoy marina breezes and a beautiful lagoon and park setting. The Vendor Pavilion offers a variety of freshly prepared foods and beverages plus unique clothing, art and accessories. A 2^nd stage in the Pavilion features experts sharing knowledge about health and well-being—valuable information for creating healthy awareness of body, mind and soul. When the health speakers are not on stage, diverse musical groups provide listening entertainment.

See original source: http://longbeachjazzfestival.com/news/the-30th-annual-long-beach-jazz-festival-press-release/

Bobby-Lyle-COGIC — Bobby Lyle (Image Courtesy of First Take PR)

SATURDAY, AUGUST 12, 2017
Boney James
Will Downing
Nathan East
Eric Darius
30 Years of Long Beach Jazz
Featuring: Ndugu Chancler, Bobby Lyle, Craig T. Cooper, Alphonso Johnson, Bridgette Bryant
Jazz In P!nk

For more information: http://longbeachjazzfestival.com/line-up/

ndugu-chancler-firsttakepr — Ndugu Chancler (Photo: First Take PR)

October 22, 2016September 28, 2023

Unplugged Again! Bobby Lyle With Billy Peterson in the Dunsmore Room, October 24

jazzpolice.com | Oct 22, 2016

“…a veteran keyboardist who has always infused his funky rhythm and jazz with a touch of elegance and improvisational spirit.”– Jonathan Widran (All Music Guide)

Back by popular demand! Former resident of the Twin Cities, keyboard prodigy-turned music director and bandleader Bobby Lyle will again join old friend, bassist Billy Peterson, in an all acoustic evening in the Dunsmore Room at Crooners Lounge on October 24 with sets at 7 and 9 pm. The duo sold out two nights in the Dunsmore Room last May. Lyle will now make magic on the venue’s new Steinway D piano.

Bobby Lyle was born in Memphis, moving north to Minneapolis with his family. He started piano lessons under his mother’s tutelage at age six, noting that “growing up in a climate where you had six months of winter every year provided lots of practice time.” Influenced primarily by Oscar Peterson, Ahmad Jamal, Bill Evans, Erroll Garner, and Art Tatum, Bobby was burning up pianos and Hammond B3s as early as age 13, soon gigging in Twin Cities clubs that couldn’t yet serve him. Enrolled at Macalester College for two years where he studied piano, Bobby eventually quit college and went on the road with Red Holt and Eldee Young. Bobby soon coming to the attention of Jimi Hendrix, with whom he worked a short time before Hendrix’ death. His family moved to LA and Lyle toured for a while with Sly and the Family Stone, then Ronnie Laws. After making a few recordings for Capitol, Lyle joined forces with George Benson, later touring with and serving as Music Director for Al Jarreau, Bette Midler, and Anita Baker. From the late 80s to mid 90s, Lyle made six recordings for Atlantic, still touring with his own bands and with Bette Midler.

Three decades into a prolific career as composer, arranger, bandleader, and recording artist of fusion as well as straight-ahead, Lyle released Straight and Smooth (Three Keys) in 2004 as an overt declaration of his dual keyboard personality. And with this release, Bobby became the first artist to ever chart on both the Billboard Contemporary Jazz Chart and the Straight Ahead Jazz Chart. Staying on the smooth side for his next recording, Bobby’s Hands On (2006) was described by All About Jazz as “a mix of charming, laid-back, romantic and danceable grooves.”

Relocating to Houston, in 2013 Bobby released his first Hammond B-3 organ CD, The Way I Feel—a tribute to the late, great Jimmy Smith and guitarist Wes Montgomery on his own label (New Warrior Music). In 2014 Lyle, in association with smooth jazz radio personality Guy Michaels, launched Houston’s first ever TV Jazz Show called The J-Spot. These days Bobby continues touring, arranging and composing, as well as teaching at the Houston Summer Jazz Workshop and as a touring clinician and private instructor.

From Minnesota’s “First Family of Music,” bassist Billy Peterson sang in commercials with sister Linda at age 9 and played bass and drums in his father’s ensembles while in junior high. He played in a variety of combos and big bands throughout his high school years, including a summer tour with the Righteous Brothers and a stint with the Lawrence Welk All-Stars. After graduation, Billy played three years with Billy Wallace (Clifford Brown’s pianist) and co-founded the band Natural Life with saxman Bob Rockwell. He has recorded with Leo Kottke and performed or recorded with BB King, Johnny Smith, Lenny Breau, and the late Les Paul. Due to tour commitments, he passed on an invitation to join the Bill Evans Trio (Marc Johnson’s good fortune!). In 1975, he appeared on Bob Dylan’s acclaimed Blood on the Tracks, and a few years later began a long-standing collaboration with Ben Sidran, which led to his 20+ year association with the Steve Miller Band. Billy continues to tour with Bob Rockwell in Europe and nationally with the Dave King Trio, and appears in the Twin Cities with The Peterson Family, How Birds Work, and other ensembles.

The Dunsmore Room is located in Crooners Lounge at 6161 Highway 65 NE, just north of I-694 and about 20 minutes northeast of downtown Minneapolis. Reservations highly recommended atwww.croonersloungemn.com.

Original Source: http://jazzpolice.com/archives/3029

April 20, 2015September 28, 2023

Heartfelt Performances and “Remembering Joe Sample” at the Berks Jazz Fest

Reviewed by Sean McKenzie | The Indie Hotspot | April 18, 2015

As I watched the amazing lineup of jazz royalty remembering the true legend, Joe Sample, I had never been so moved by such a fitting musical tribute. I remember it was only a little over a year ago that Wayne Henderson had been given his regal sendoff. And now, amongst other Sample fans, I experienced a healing concert for yet another Jazz Crusader. Who was on the lineup? Musical director and pianist Bobby Lyle, who also assembled an incredible group of musicians, including saxophonist Wilton Felder; saxophonist Everette Harp; trumpeter Rick Braun; trombonist Jeff Bradshaw; guitarist Randy Jacobs; drummer Jay Williams; percussionist Doc Gibbs; bassist Nick Sample (Joe’s son); and vocalist Lizz Hogue.

(Interesting information: Wilton Felder, Joe Sample, and Wayne Henderson co-founded the Texas based Jazz Crusaders; Joe’s son, Nick Sample toured with his dad right up until illness forced him to retire; and trumpeter Rick Braun was also performing at the Berks Jazz Festival with his band Jazz Attack.)

Each song performed was beautifully and tastefully executed. It met my highest expectations—something I always appreciated when watching Joe Sample perform. “Viva de Funk,” “Spellbound,” “Joe’s Creole Shack (a Lyle original),” “In All My Wildest Dreams,” and “Seven Years of Good Luck” took me way back. Vocalist Lizz Hogue captured the audience with her heartfelt versions of “One Day I’ll Fly Away,” and especially “Street Life!” Aside from the impeccable musicianship showcased that evening, it was a continuous flow of flawless performances, reminding me just how much Joe Sample’s legacy has influenced this genre of music. Hogue also performed “I’m So Glad I’m Standing Here Today,” which was originally sung by the late Joe Cocker in collaboration with the Crusaders and Joe Sample.

Aside from the impeccable musicianship showcased that evening, it was a continuous flow of flawless performances, reminding me just how much Joe Sample’s legacy has influenced this genre of music. Another big highlight was the breathtaking medley of piano solos, which included “Melodies of Love,” “It Happens Everyday,“ and “Ashes to Ashes.” Bobby Lyle held the audience captive with such an endearing remembrance of Joe Sample’s talent as a pianist. It was a very creative display of Lyle’s virtuosity on the piano. But I also felt the profound respect as he tickled each note of that ivory! While watching Lyle, I could see the friendship he had with Joe Sample. I got a sense of the loss Lyle felt for his departed friend. Needless to say I was deeply moved by Lyle’s tribute.

One very appreciative couple who had attended all but one of the 25 Berks festivals stated afterwards that, “This was definitely one of the best shows we’ve ever seen here at Berks. We are both Joe Sample fans, and tonight’s program definitely lived up to his legacy.”—a view apparently shared by many as they stood and applauded the ten performers taking their bows onstage at the show’s end.

The Berks Jazz Festival is known for its excellence in musical performance throughout the years; and “Remembering Joe Sample” on April 18, 2015, in Reading, PA, has lived up to the festival’s high standards. May the memory of Joe Sample’s music live on.

Original Source: http://www.theindiehotspot.com/2015/05/04/heartfelt-performances-and-remembering-joe-sample-at-the-berks-jazz-fest/

Tag: Bobby Lyle