Bunny Brunel Gets International With Bass Ball

By David Sands | February 24, 2017 | forbassplayersonly.com

Co-produced with Stanley Clarke, album features bassists from around the world

Could listening to bass players hit it out of the park be America’s next great pastime? It will be, if Bunny Brunel has anything to say on the topic.

The French-born jazz bassist has teamed up with Stanley Clarke to produce a new album, Bass Ball, that’s centered around a top-notch roster of bass players from around the world. Five years in the making, the album features impressive solos by U.S. bass stars Billy Sheehan, Victor Wooten, Steve Bailey and Cameroonian jazz phenom Armand Sabal-Lecco, as well as some of Brunel’s compatriots from the land of the Eiffel Tower.

“The French bass players who also play on Bass Ball are famous in France, but not well known here,” Brunel says in statement. “I was the one who had the privilege to come to America and play with Chick Corea and Herbie Hancock, and others. But there were many bass players in France who were also very good.”

Inspired to write a tune from his hometown of Nice, Brunel composed a song named after a local body of water, Baie des Anges, that also happens to incorporate a bunch of local jazz talent.

“I composed and named the tune ‘Bay of the Angels’ and decided to have musicians from my hometown perform on the song,” says Brunel. “They were trombonist Alex Perdigon, trumpeter Eric Giausserand, bass players Tony Bonfils, Dominique Bertram, Fifi Chayeb.”

Other songs on the album feature Josquin Des Pres of St. Tropez and Marc Bertaux and Hadrien Feraud from Paris. As for the two masterminds behind the project, Brunel plays the ESP fretted bass, fretless bass, and piccolo bass; and Stanley Clarke plays Alembic basses, piccolo bass, and acoustic bass.

“I like the fact that Bass Ball is going to give people an opportunity to hear some of the best bass players they’ve never heard before,” says Clarke.

Also appearing on the album are drummers Dennis Chambers, John Wackerman, Simon Phillips, Steve Ferrone, Johan Franzon, Ike Wiley, Clayton Cameron, and Bryan Cabrera; percussionists Chris Moraga and Monette Moreno; and keyboardists Nick Smith and Larry Dunn (of Earth, Wind and Fire).

Encouraged by their work with Bass Ball, Brunel and Clarke are already planning a sequel.

Track List

1. Nothing but the Bass (feat. Armand Sabal-Leco & John Wackerman)
2. Slap & Tickle (feat. Victor Wooten, Hadrien Feraud & Dennis Chambers)
3. Stand Out (feat. Armand Sabal-Leco, Monette Marino & Bryan Cabrera)
4. Lopsy Lu (feat. Steve Bailey, Billy Sheehan & Simon Phillips)
5. Bay of the Angels (feat. Tony Bonfils, Alex Perdigon, Eric Giausserand & Steve Ferrone)
6. Gigi (feat. Johan Franzon)
7. Lulu (feat. Kaylene Peoples, Luisa Dunn, Larry Dunn & Steve Ferrone)
8. For You to Play (feat. Johan Franzon)
9. Freedom Jazz Dance (feat. Marc Bertaux, Jerry Lopez, Nick Smith, Monette Marino & Ike Willey)
10. John’s Space (feat. Josquin Des Pres, Kaylene Peoples, Monette Marino & Ike Willey)
11. Tradition (feat. Nick Smith, Chris Moraga & Clayton Cameron)
12. Bay of the Angels (Extended Version) [feat. Kaylene Peoples, Alex Perdigon, Eric Giausserand, Dominique Bertram, Fifi Chayeb, Tony Bonfils & Steve Ferrone]

Title: Bass Ball
Artist: Bunny Brunel & Friends
Release Date: January 15, 2017
Label:  Nikaia Records

Original Source: http://forbassplayersonly.com/bunny-brunel-gets-tnternational-bass-ball/

Kaylene Peoples Featured on “The Flute View” Magazine: Flutists of NAMM

The Flute View | by Andrea Fisher | Feb. 2, 2017

“The NAMM Show is one of the largest musical instrument trade shows, which takes place in Anaheim every January.  This was my 5th show and my first one as an exhibitor for Fluterscooter bags!

My favorite part of the show is catching up with old flute friends and meeting new ones. Everyone has a unique NAMM experience, and I got to catch up with a few flutists at the show to talk about their NAMM experience.” – Andrea Fisher

Flute-wise, what are you up to now?  I see you’ve played with Hubert Laws?

I just did an album in 2015, which made the ballot for the GRAMMYs last year, and Hubert Laws is featured on the album, playing “Giant Steps” with Bobby Lyle.  I’m also singing on the album, which is called Kaylene Peoples “My Man.”  I’m a singer/flutist, which is a rare combination.  I do straight-ahead jazz, fusion, and classic jazz.  I also have a 5-octave range.  I just got back from a jazz festival in Madagascar, actually.  Hubert is great, and I’d like to collaborate with more flute players.

What advice do you have to young musicians who are just getting out there now?

If you’re a flutist and you’re young, first of all, learn your craft!  Create a tone.  It’s more important than learning a bunch of notes.  If you’re trying to learn jazz, learn the most basic modal jazz in C and other easy keys.  And, most importantly, do what excites you; there’ll be a market for it, no matter what!

Read more: http://thefluteview.com/2017/02/flutists-of-namm/

 

 

Bunny Brunel Announces New Album ‘Bass Ball’ With Guests Stanley Clarke, Victor Wooten, Billy Sheehan, Steve Bailey, and More

Bassplayer.com | Artist News | Jan. 24, 2017

BunnyBrunel-and-Friends-BASS-BALL-cover
Bunny Brunel & Friends “Bass Ball” CD Cover

Introducing BUNNY BRUNEL & FRIENDS – BASS BALL, an exciting new CD produced by Bunny Brunel and Stanley Clarke, featuring incredible performances by Billy Sheehan, Victor Wooten, Steve Bailey, Hadrien Ferraud, Larry Dunn, and more.

“I think ‘Bass Ball’ is a great, innovative record with some of the best bass players in the world, encompassing a variety of styles.” –Bunny Brunel

If you like the bass, then you will love “Bass Ball,” a new CD encompassing everything that’s great about the bass. The innovative album is produced by Bunny Brunel and Stanley Clarke; and has been five years in the making. “Bass Ball” stars Bunny Brunel and Stanley Clarke, featuring solos by Billy Sheehan, Victor Wooten, Steve Bailey, Armand Sabal-Lecco (who also composed “Stand Out” on the album), and more. Wanting to add a French flavor, Bunny Brunel invited a few musicians, including bass players from his country to be a part
history in the making.

Read more: http://www.bassplayer.com/artists/1171/bunny-brunel-announces-new-album-bass-ball-with-guests-stanley-clarke-victor-wooten-billy-sheehan-steve-bailey-and-more/61634

SIRIUS XM: SIX ALBUMS FROM 2016 YOU MUST HEAR

SiriusXM Radio | Jan 4, 2017

Everyone has shared their best of lists, and before it’s too late, we thought we’d contribute with six albums from 2016 that are worth taking a listen to. Some you may be familiar with, a few are just a little under the radar.

1. GOOD TIMES – THE MONKEES

Who would have thought that the Monkees, that so-called ‘fake band’, would have released one of the best albums of 2016, more than 50 years after they arrived on television. But that’s exactly what they did with Good Times, featuring a plethora of great songs from indie and alternative songwriters who grew up loving the pre-fab four. The first single, ‘You Bring The Summer’ comes from the pen of XTC’s Andy Partridge, and set the tone for what became the biggest comeback of the year.

2. BLUE AND LONESOME – THE ROLLING STONES

Fans have been waiting for the Stones to get back to their blues for decades, and with this, their first covers album, the band deliver. Sounding younger than ever, the band is at ease playing music that influenced their earliest years. Mick Jagger is the star of this show, as he infuses each song with power and passion and grit (along with his distinctive harmonica playing). I saw the band at Desert Trip and they were on fire – live and in the studio, the Rolling Stones just might be at their best right now.

3. HARDWIRED…TO SELF-DESTRUCT

Metallica was back with a vengeance with their first studio album in 8 years. Hardwired…is a ballad-free, relentless piece of aggression that pleased many a die-hard metal fans. The title track also served as the first single and was a shortened taste of what the band would deliver throughout the course of two discs. Prog rock length tracks, time changes and some of the greatest riffage the band has ever laid down.

4. BLACKSTAR – DAVID BOWIE

While we may never get over the loss of David Bowie, in 2016 we were given the gift of the man writing his own demise. Blackstar is one of the greatest albums in the man’s impressive catalogue, thanks to the nearly 10-minute title track and the hauntingly beautiful ‘Lazarus’. Blackstar is an album that’s beauty will continue to unravel over the years to come.

5. YOU WANT IT DARKER – LEONARD COHEN

Along with Bowie, Leonard Cohen crafted an album that stared mortality in the face and didn’t blink an eye. Skillfully produced by the bard’s son Adam, You Want It Darker is a more organic album that more recent Cohen offerings and is all the better for it. The highlight is definitely the title track, which utilized a Jewish men’s choir to stirring effect.

6. THE SIMILITUDE OF A DREAM – THE NEAL MORSE BAND

Definitely not a household name, Neal Morse is the current shining light of progressive rock, and his recent double-album is a tour de force that had band mate and iconic drummer Mike Portnoy saying, “I’ve always had a soft spot for double concept albums such as Pink Floyd’s THE WALL and The Who’s TOMMY, and I can bravely say that I think we’ve created an album here that can sit side by side with those masterpieces”. For fans of hard rock and prog rock, it’s a must hear. (Rich Mouser was the Mixing Engineer for this project).

CITY OF DESTRUCTION – THE NEAL MORSE BAND

Read Original Source:  SiriusXM Radio

http://www.siriusxm.ca/six-albums-from-2016-you-must-hear/

Trek Stars Team Up To Fight Bullying in “Be Kind” Campaign

trekmovies.com | Jan 4, 2017

This year, the Pop Culture Hero Coalition, an anti-bullying non-profit founded by Chase Masterson (Leeta, DS9), has teamed up with Star Trek stars who ask that you start 2017 with a resolution to Be Kind to one another. You can join the fight and be a real life hero by pledging to be kind, and you can do it in style with a Be Kind tee shirt.

“Think before you type. Start 2017 with the resolution to #BeKind,” reads the description for one of the Pop Culture Hero Coalition’s holiday fundraiser tee shirts.

Star Trek, like other modern pop culture franchises, is at its core a message to understand one another, embrace diversity, and overall be excellent to each other. Chase Masterson, the coalition’s founder, saw this as an opportunity to create the first-ever organization that uses the universal appeal of comics, film & TV to create anti-bullying programs at pop culture events, and in schools and communities.

Their mission is simple:

To educate and support children, teens and adults to overcome bullying and social injustice, and to transform their struggles into strengths, using stories and characters from pop culture TV, film, and comics.

They do this by hosting events, organizing convention panels, and even developing lesson plans for schools. They’ve had huge successes helping kids affected by the San Bernardino mass shooting, those suffering from PTSD and bullying and inner city kids in places like Chicago. Currently, they are working to teach Trek’s ideal of Infinite Diversity in Infinite Combinations (IDIC) in schools.

“We love our onscreen heroes. Why not be heroes, too? So many people have told us, ‘I wish you had this when I was in school.’” says Masterson. “Roddenberry created a powerful key to social justice, and we are continuing that work in real life. We have the opportunity to teach IDIC to kids, before it’s too late… before there are any more suicides, or broken hearts, or battered psyches due to bullying — and we truly appreciate your support in this crucial work”

You can help support the cause by purchasing a Be Kind tee, sweatshirt, or tank. Proceeds from sales will go directly to help the Coalition’s mission. Learn more about the Coalition’s work on their official website.

Original Source: http://trekmovie.com/2016/12/28/trek-stars-team-up-to-fight-bullying-in-be-kind-campaign/

LTD BB1005 Bunny Brunel Test & Review – The Blue Wonder

esp-ltd-bb-1005-quilted-maple-black-aqua

(Translated from German: http://www.gitarrebass.de Gitarre & Bass Magazine)

LTD BB1005

Rapid fusion action on a stately Fivestring, with a further extended range: Bunny Brunel’s signature model from LTD brings some top performances together.

The Quilted Maple blanket with stylish transparent varnish ensures the appropriate eye-catching appearance. The BB1005 is available in Black Aqua, Burnt Orange and See Through Black Sunburst; Except for the bundled models, a Fretless is also available. According to its name, this instrument is equipped for all styles.

Big Player

First, the blue testbass presents itself as a powerful instrument with a large body and an elongated head plate, total length 119 cm. The Longscale neck is made of maple and straight, the side-glued corpus wings consist of alder, with the whole front of the bodysuit with a beautiful cloudy top.

On the wide ebony fingerboard is plenty of space for a clean finger, which at the same time means that the Brunel Fivestring is not necessarily the most comfortable player for short fingers. At the flat neck profile it should not lie, however, the string position can be set very low without frills.

The solid hipshot bridge is a solid, so that the strings can be inserted from the rear through the body or can be attached conventionally from the front. The semi-finished precision tuners also come from the same manufacturer, the tuner for the low-frequency H-string being equipped with an extender lever that lowers the thickest string to the A as required.

The electrical equipment, which comes completely from Aguilar, provides for a sound versatility. In the bridge position sits a 5M-humbucker with fat Alnico magnets, at the neck also an Alnico-equipped J-Pickup. This is, of course, not a simple single coil, but a two-coil hum-Canceling design, so that all the pickup mixes that can be recalled at the crossover are free of hum. For further sound variation is a three-band active EQ on board, the center band of which can be switched by pull switch between 400 and 800 Hz.

Much of everything

Due to the flat neck / body transition, the 24th position is also completely unobstructed, and the BB1005 is also perfectly balanced due to the long corpus spine and without any approach from the top of the belt. The weight of approx. 4.2 kg is not exaggerated for a grown five and ensures that the body is calm and stable to the body.

The Brunel-Fivestring with its continuous neck, the massive neck and the optional string guide from the front, is the result of a lush sustain development and swinging pleasure arke maple ensures that the sound does not get too soft and soothing, but precisely and directly starts, Which is also important for fast-paced fusion carnivals.

Even the extender for the H-string is really usable. Actually one would only have to see under the deep H undefined booby, but actually the Brunel Fivestring also a cleanly defined A is effected. A certain surprise is provided by the electric touch, where the fat Alnico humbucker produces a rather airy and bony sound.

This is clearly due to the relatively high-pitched placement, where there are fewer bass components in the string amplitude. Convincingly, the 5M humbucker brings a clear, tidy sound with offensive growl. The narrow J-Pickup in the neck position is responsible for real bass depth and thickness, and the splitcoil fulfills this role with balanced broadband and a fine shot of offensive Alnico presence. The fact that its pole pieces protrude somewhat from the cap according to the handlebuck, could, in the case of a misdirected slap, lead to clattering noise when the strings hit the magnets.

The active OBP3 sound control is gaining power, resulting in different results in the different frequency bands. For the basses, for example, the excessively radical cuts are wasteful, because practically nobody really uses such dry settings. In the middle, the drastic effect is much more practical, especially since the switchable center frequency can still shift the striking nose, which makes the bundled testbass sound almost like a fretless.

On the other hand, extreme radical attenuations can be adjusted if an extratrocke radio sound or a soft, soft restraint is required. In the case of the height controller, the strong effect does not occur at all because it acts at quite high frequencies; This results in the detection of fine-metallic brilliance tips, but not hard and sharp presences.

Alternatives

Five-string electric basses with healthy equipment are already available in the most favorable price categories. But mostly these are vintage designs with screw neck, modern styled models with continuous neck construction are already scarce – and it goes directly into higher price categories. To this extent, the signature five-string strings, equipped with brand-name features, do not represent the mainstream. Ibanez, however, also builds similarly elaborate Neck-thru models, which are offered at attractive prices because of the more favorable production in Indonesia.

Summary

Bunny Brunel’s Signature model has a lot to offer: plenty of space for the fingers on the wide fretboard, a lot of bridge mass and a lot of sustain for lush swinging pleasure, a lot of tone with 24 freely accessible fret plus H string extender and many variations due to the rich Electric equipment – you get a lot of bass for the money, and the higher price class for a Korean LTD model should not be more astonishing.

Continue reading “LTD BB1005 Bunny Brunel Test & Review – The Blue Wonder”

Sonic Soul Reviews KAYLENE PEOPLES “Have Yourself A Merry Little Christmas”

carol-of-the-bells-by-kaylene-peoples-bunny-brunel-joe-calderon-rich-mouser-tony-moore-themousehouse-studio

Sonic Soul Reviews | Dec. 24, 2016

Weihnachten mit Kaylene. Nette Jazz-Variante des allseits bekannten Klassikers. Inklusive eines ganz feinen Vortrags von Gitarrist Rich Mouser. So wird´s angenehm rund um den Baum…

Translated:

Christmas with Kaylene. Nice jazz variation of the well-known classic. Including a very fine performance by guitarist Rich Mouser. So it’s pleasant around the tree …

Original Source:

KAYLENE PEOPLES „Have Yourself A Merry Little Christmas“

Bassist Bunny Brunel – Premier Guest on “The New Boffomundo Show

The New Boffomondo Show | Nov 21, 2016

The New Boffomundo Show is honored to have as its first guest, Bunny Brunel, one of the greatest bass players in jazz. He tells some tales from his associations with the likes of Chick Corea, Wayne Shorter, Patrick Moraz, Herbie Hancock, Stanley Clarke and more. Bunny’s wit and wisdom is also on display and it makes for a fine debut from the Boffomundo Boys. Enjoy! (Original Source: http://www.boffomundomusic.com/the-new-boffomundo-show)

 

 

 

Madajazzcar : Kaylene Peoples Is a Big Hit

(Article Translated from French) http://www.newsmada.com | Nov 10, 2016

Impressive and gracious at the same time, American Kaylene Peoples has seduced audiences with her talents as a singer and flautist. As part of the 27th International Madajazzcar Festival, she hosted a singing and flute workshop at the Ivan-toeran’ny kolontsaina malagasy (IKM) in Antsahavola yesterday.

Kaylene Peoples is a remarkable singer who interprets, with ease, songs composed of a range of five different octaves. The workshop was therefore rich in various tips and techniques for singing and playing the flute. Indeed, the American singer is a multi-instrumentalist, composer, arranger and conductor. She is one of the artists who arranged songs for the soundtracks of American films, such as “American Pie”, “Serendipity”, “Ruby” …

One of her most influential orinal songs is “Do you remember,” which was among the Top 100 chart, explained one of the festival’s organizers. Her other song “Giant Steps” was voted best jazz music at the Akademia Music Award December 2015. She will be back on the Malagasy stage this day at the Carlton and will be accompanied by Bunny Brunel, SAnda Ranaivosoa, Njaka Rakotonirainy and Bolo Rakoto David.

Holy Danielle

(Original Source)

http://www.newsmada.com/2016/10/11/madajazzcar-kaylene-peoples-fait-sensation/

Unplugged Again! Bobby Lyle With Billy Peterson in the Dunsmore Room, October 24

jazzpolice.com | Oct 22, 2016

“…a veteran keyboardist who has always infused his funky rhythm and jazz with a touch of elegance and improvisational spirit.”–  Jonathan Widran (All Music Guide)

Back by popular demand! Former resident of the Twin Cities, keyboard prodigy-turned music director and bandleader Bobby Lyle will again join old friend, bassist Billy Peterson, in an all acoustic evening in the Dunsmore Room at Crooners Lounge on October 24 with sets at 7 and 9 pm. The duo sold out two nights in the Dunsmore Room last May. Lyle will now make magic on the venue’s new Steinway D piano.

Bobby Lyle was born in Memphis, moving north to Minneapolis with his family. He started piano lessons under his mother’s tutelage at age six, noting that “growing up in a climate where you had six months of winter every year provided lots of practice time.”  Influenced primarily by Oscar Peterson, Ahmad Jamal, Bill Evans, Erroll Garner, and Art Tatum, Bobby was burning up pianos and Hammond B3s as early as age 13, soon gigging in Twin Cities clubs that couldn’t yet serve him. Enrolled at Macalester College for two years where he studied piano, Bobby eventually quit college and went on the road with Red Holt and Eldee Young. Bobby soon coming to the attention of Jimi Hendrix, with whom he worked a short time before Hendrix’ death. His family moved to LA and Lyle toured for a while with Sly and the Family Stone, then Ronnie Laws. After making a few recordings for Capitol, Lyle joined forces with George Benson, later touring with and serving as Music Director for Al Jarreau, Bette Midler, and Anita Baker. From the late 80s to mid 90s, Lyle made six recordings for Atlantic, still touring with his own bands and with Bette Midler.

Three decades into a prolific career as composer, arranger, bandleader, and recording artist of fusion as well as straight-ahead, Lyle released Straight and Smooth (Three Keys) in 2004 as an overt declaration of his dual keyboard personality. And with this release, Bobby became the first artist to ever chart on both the Billboard Contemporary Jazz Chart and the Straight Ahead Jazz Chart. Staying on the smooth side for his next recording, Bobby’s Hands On (2006) was described by All About Jazz as “a mix of charming, laid-back, romantic and danceable grooves.”

Relocating to Houston, in 2013 Bobby released his first Hammond B-3 organ CD, The Way I Feel—a tribute to the late, great Jimmy Smith and guitarist Wes Montgomery on his own label (New Warrior Music). In 2014 Lyle, in association with smooth jazz radio personality Guy Michaels, launched Houston’s first ever TV Jazz Show called The J-Spot. These days Bobby continues touring, arranging and composing, as well as teaching at the Houston Summer Jazz Workshop and as a touring clinician and private instructor.

From Minnesota’s “First Family of Music,” bassist Billy Peterson sang in commercials with sister Linda at age 9 and played bass and drums in his father’s ensembles while in junior high. He played in a variety of combos and big bands throughout his high school years, including a summer tour with the Righteous Brothers and a stint with the Lawrence Welk All-Stars. After graduation, Billy played three years with Billy Wallace (Clifford Brown’s pianist) and co-founded the band Natural Life with saxman Bob Rockwell. He has recorded with Leo Kottke and performed or recorded with BB King, Johnny Smith, Lenny Breau, and the late Les Paul. Due to tour commitments, he passed on an invitation to join the Bill Evans Trio (Marc Johnson’s good fortune!). In 1975, he appeared on Bob Dylan’s acclaimed Blood on the Tracks, and a few years later began a long-standing collaboration with Ben Sidran, which led to his 20+ year association with the Steve Miller Band. Billy continues to tour with Bob Rockwell in Europe and nationally with the Dave King Trio, and appears in the Twin Cities with The Peterson Family, How Birds Work, and other ensembles.

The Dunsmore Room is located in Crooners Lounge at 6161 Highway 65 NE, just north of I-694 and about 20 minutes northeast of downtown Minneapolis. Reservations highly recommended atwww.croonersloungemn.com.

Original Source: http://jazzpolice.com/archives/3029