Bunny Brunel’s CAB Performing at the Baked Potato May 20, 2017

Get a dose of electric, jazz fusion with legendary performers Bunny Brunel (Bass), Virgil Donati (Drums), Mitch Forman (Keyboards), and Julian Coryell (Guitar) With Guest Performers.

Show Times 9:30PM | 11:30PM Doors open at 8PM

Tickets: $25 PER SHOW
http://thebakedpotato.com/GiftShopPages/GiftShopAdvSalesCAB.html

Address:
The Baked Potato 3787 Cahuenga Blvd. West, Studio City, CA 91604
Call for reservations: (818) 980-1615

Facebook Event: https://www.facebook.com/events/747292102120405/

No Treble Features Bunny Brunel: Bass Players to Know

By: Ryan Madora | April 20th, 2017 | http://www.notreble.com/

Like any aspiring bass player, I went through a “fusion phase” (otherwise known as college). I spent countless hours infatuated with complicated harmony, the wild and masterful displays of technical ability, and the jammiest of jams. It wasn’t long before I discovered the CAB albums featuring Tony MacAlpine, Dennis Chambers, Brian Auger, and bass player Bunny Brunel. This quickly sent me down a rabbit hole of fast paced licks, chord extensions, and the world of instrumental music. Years later, I’ve had an opportunity to revisit some of the CAB records and dig a bit deeper into Brunel’s catalogue of work with artists including Chick Corea, Mike Stern, Herbie Hancock, Stanley Clarke, and countless others. Between his signature basses, educational books and DVDs, and extensive career as a composer and producer, Brunel is an obvious choice for a Bass Player To Know.

So Who Is Bunny Brunel?

Brunel grew up in France and began playing bass as a teenager. While he was mostly self-taught, he did attend a music conservatory to focus on upright technique and later ventured into fretless bass. Heavily influenced by jazz and Brazilian music, he spent most of his twenties working with various artists and touring through Europe. While performing in London at Ronnie Scott’s, he was introduced to Chick Corea who invited him to come to the United States. Brunel joined Corea’s band and recorded the albums Secret Agent, Tap Step, and Summer Jam, 1979: Live Under the Sky; this quickly solidified him as a force to be reckoned with in the jazz community.

To read the entire article, go to the Original Source at http://www.notreble.com/buzz/2017/04/20/bass-players-to-know-bunny-brunel/

 

Larry Coryell Tribute at the Blue Whale: A Stroll Down Memory Lane

By Kaylene Peoples | Agenda Magazine (www.agendamag.com) | April 10, 2017

The Blue Whale in Downtown L.A. is known for organic music, featuring a variety of styles such as fusion, contemporary jazz, new age, and those that thrive in a cozy, ambient atmosphere. Saturday, March 25, 2017 from 9:00 PM to 11:45 PM was filled with the essence of Larry Coryell, and I had never seen this intimate venue so packed. The tribute concert was spearheaded by Larry’s surviving son Julian, who proved to his father’s fans, the apple does not fall far from the tree. Following the memorial of Larry Coryell (which occurred earlier that day) the concert was to be a celebration of the man and his music. The original lineup was to include Julian Coryell on guitars, Bunny Brunel on bass, Brian Auger on Piano and B3 organ (he took ill that night and was replaced by keyboardist/organist Matt Rohde); and drummers Gerry Brown the first set, and Andy Sanesi the second set.

The song list was filled with some of Larry Coryell’s greatest compositions. Julian played flawlessly those songs, which included the following: “Spaces Revisited,” “Sink or Swim,” “Treats Style,” “First Things First,” “Low Lee Tah, “After Later,” “Bird Fingers,” and “Good Citizen Swallow.” As spirited as those performances were, the show was further commemorative of the fusion style with two tunes by the late, great fusion/soul drummer Alphonse Mouzon, who passed away earlier this year. The ensemble performed Mouzon’s “The Cover Girl ” and “Poobli”; and early in the second set, Julian Coryell and Bunny Brunel did a duet by René Thomas called “Renée’s Theme.”  This was famous duet originally performed by Larry Coryell and John McLaughlin from the album Spaces..

Continue reading “Larry Coryell Tribute at the Blue Whale: A Stroll Down Memory Lane”

A GREAT SHOW OF ACOUSTIC JAZZ & ELECTRIC FUSION BY BUNNY BRUNEL & KAYLENE PEOPLES!

By Mike Harvey | Theindiedhotspot.com | March 4, 2017

Saturday, February 25, 2017, at the Alvas Showroom in San pedro, I saw masterful bassist Bunny Brunel II and the lovely and multi-talented Kaylene Peoples at the Alvas Showroom in San Pedro, CA. Bunny gave us a great version of “Dolphin Dance” (my personal favorite of all his recordings) and flautist Kaylene blew us away on the flute with Dave Brubeck’s “Blue Rondo a la Turk.” Virgil Donati provided a creative & solid foundation on drums, and Bronx brother, Joe Calderon shredded on guitar from metallic outbursts to gentle complements to the ensemble. A surprisingly inventive and emotional performance by up and coming pianist Mahesh Balasooriya seemed to be enjoyed by his bandmates, as much as it was by the audience. Kaylene‘s vocals hit the spot, and what a charming lady she is!

Some highlights of jazz favorites performed that evening were “Dolphin Dance,””Take Five,””Lullaby of Birdland,””Night Streets,” “The Slide,””One Note Samba,” and more.

Original Soucre: http://www.theindiehotspot.com/2017/03/04/a-great-show-of-acoustic-jazz-electric-fusion-by-bunny-brunel-kaylene-peoples/

Bunny Brunel & Kaylene Peoples at the Alvas Showroom

Join Grammy-nominated Bassist Bunny Brunel and award-winner jazz vocalist/flutist Kaylene Peoples for an uncompromising musical experience with straight-ahead acoustic jazz and electric fusion; featuring Virgil Donati (drums), Joe Calderon (guitar), and Mahesh Balasooriya (piano).

Admission $30
Date: Saturday, February 25, 2017
Time: 8:00 PM

Alvas Showroom
1417 W 8th St
San Pedro, CA 90732

Phone: (310) 519-1314
Email: wanda@alvas.com
Website: http://www.gighear.org/venues/show_event.php?id=4973

#acousticjazz, #fusion, #flute, #bass

Original Source: http://thehollywood360.com/bunny-brunel-kaylene-peoples-performing-at-alvas-showroom/

Bunny Brunel Gets International With Bass Ball

By David Sands | February 24, 2017 | forbassplayersonly.com

Co-produced with Stanley Clarke, album features bassists from around the world

Could listening to bass players hit it out of the park be America’s next great pastime? It will be, if Bunny Brunel has anything to say on the topic.

The French-born jazz bassist has teamed up with Stanley Clarke to produce a new album, Bass Ball, that’s centered around a top-notch roster of bass players from around the world. Five years in the making, the album features impressive solos by U.S. bass stars Billy Sheehan, Victor Wooten, Steve Bailey and Cameroonian jazz phenom Armand Sabal-Lecco, as well as some of Brunel’s compatriots from the land of the Eiffel Tower.

“The French bass players who also play on Bass Ball are famous in France, but not well known here,” Brunel says in statement. “I was the one who had the privilege to come to America and play with Chick Corea and Herbie Hancock, and others. But there were many bass players in France who were also very good.”

Inspired to write a tune from his hometown of Nice, Brunel composed a song named after a local body of water, Baie des Anges, that also happens to incorporate a bunch of local jazz talent.

“I composed and named the tune ‘Bay of the Angels’ and decided to have musicians from my hometown perform on the song,” says Brunel. “They were trombonist Alex Perdigon, trumpeter Eric Giausserand, bass players Tony Bonfils, Dominique Bertram, Fifi Chayeb.”

Other songs on the album feature Josquin Des Pres of St. Tropez and Marc Bertaux and Hadrien Feraud from Paris. As for the two masterminds behind the project, Brunel plays the ESP fretted bass, fretless bass, and piccolo bass; and Stanley Clarke plays Alembic basses, piccolo bass, and acoustic bass.

“I like the fact that Bass Ball is going to give people an opportunity to hear some of the best bass players they’ve never heard before,” says Clarke.

Also appearing on the album are drummers Dennis Chambers, John Wackerman, Simon Phillips, Steve Ferrone, Johan Franzon, Ike Wiley, Clayton Cameron, and Bryan Cabrera; percussionists Chris Moraga and Monette Moreno; and keyboardists Nick Smith and Larry Dunn (of Earth, Wind and Fire).

Encouraged by their work with Bass Ball, Brunel and Clarke are already planning a sequel.

Track List

1. Nothing but the Bass (feat. Armand Sabal-Leco & John Wackerman)
2. Slap & Tickle (feat. Victor Wooten, Hadrien Feraud & Dennis Chambers)
3. Stand Out (feat. Armand Sabal-Leco, Monette Marino & Bryan Cabrera)
4. Lopsy Lu (feat. Steve Bailey, Billy Sheehan & Simon Phillips)
5. Bay of the Angels (feat. Tony Bonfils, Alex Perdigon, Eric Giausserand & Steve Ferrone)
6. Gigi (feat. Johan Franzon)
7. Lulu (feat. Kaylene Peoples, Luisa Dunn, Larry Dunn & Steve Ferrone)
8. For You to Play (feat. Johan Franzon)
9. Freedom Jazz Dance (feat. Marc Bertaux, Jerry Lopez, Nick Smith, Monette Marino & Ike Willey)
10. John’s Space (feat. Josquin Des Pres, Kaylene Peoples, Monette Marino & Ike Willey)
11. Tradition (feat. Nick Smith, Chris Moraga & Clayton Cameron)
12. Bay of the Angels (Extended Version) [feat. Kaylene Peoples, Alex Perdigon, Eric Giausserand, Dominique Bertram, Fifi Chayeb, Tony Bonfils & Steve Ferrone]

Title: Bass Ball
Artist: Bunny Brunel & Friends
Release Date: January 15, 2017
Label:  Nikaia Records

Original Source: http://forbassplayersonly.com/bunny-brunel-gets-tnternational-bass-ball/

Bunny Brunel Announces New Album ‘Bass Ball’ With Guests Stanley Clarke, Victor Wooten, Billy Sheehan, Steve Bailey, and More

Bassplayer.com | Artist News | Jan. 24, 2017

BunnyBrunel-and-Friends-BASS-BALL-cover
Bunny Brunel & Friends “Bass Ball” CD Cover

Introducing BUNNY BRUNEL & FRIENDS – BASS BALL, an exciting new CD produced by Bunny Brunel and Stanley Clarke, featuring incredible performances by Billy Sheehan, Victor Wooten, Steve Bailey, Hadrien Ferraud, Larry Dunn, and more.

“I think ‘Bass Ball’ is a great, innovative record with some of the best bass players in the world, encompassing a variety of styles.” –Bunny Brunel

If you like the bass, then you will love “Bass Ball,” a new CD encompassing everything that’s great about the bass. The innovative album is produced by Bunny Brunel and Stanley Clarke; and has been five years in the making. “Bass Ball” stars Bunny Brunel and Stanley Clarke, featuring solos by Billy Sheehan, Victor Wooten, Steve Bailey, Armand Sabal-Lecco (who also composed “Stand Out” on the album), and more. Wanting to add a French flavor, Bunny Brunel invited a few musicians, including bass players from his country to be a part
history in the making.

Read more: http://www.bassplayer.com/artists/1171/bunny-brunel-announces-new-album-bass-ball-with-guests-stanley-clarke-victor-wooten-billy-sheehan-steve-bailey-and-more/61634

LTD BB1005 Bunny Brunel Test & Review – The Blue Wonder

esp-ltd-bb-1005-quilted-maple-black-aqua

(Translated from German: http://www.gitarrebass.de Gitarre & Bass Magazine)

LTD BB1005

Rapid fusion action on a stately Fivestring, with a further extended range: Bunny Brunel’s signature model from LTD brings some top performances together.

The Quilted Maple blanket with stylish transparent varnish ensures the appropriate eye-catching appearance. The BB1005 is available in Black Aqua, Burnt Orange and See Through Black Sunburst; Except for the bundled models, a Fretless is also available. According to its name, this instrument is equipped for all styles.

Big Player

First, the blue testbass presents itself as a powerful instrument with a large body and an elongated head plate, total length 119 cm. The Longscale neck is made of maple and straight, the side-glued corpus wings consist of alder, with the whole front of the bodysuit with a beautiful cloudy top.

On the wide ebony fingerboard is plenty of space for a clean finger, which at the same time means that the Brunel Fivestring is not necessarily the most comfortable player for short fingers. At the flat neck profile it should not lie, however, the string position can be set very low without frills.

The solid hipshot bridge is a solid, so that the strings can be inserted from the rear through the body or can be attached conventionally from the front. The semi-finished precision tuners also come from the same manufacturer, the tuner for the low-frequency H-string being equipped with an extender lever that lowers the thickest string to the A as required.

The electrical equipment, which comes completely from Aguilar, provides for a sound versatility. In the bridge position sits a 5M-humbucker with fat Alnico magnets, at the neck also an Alnico-equipped J-Pickup. This is, of course, not a simple single coil, but a two-coil hum-Canceling design, so that all the pickup mixes that can be recalled at the crossover are free of hum. For further sound variation is a three-band active EQ on board, the center band of which can be switched by pull switch between 400 and 800 Hz.

Much of everything

Due to the flat neck / body transition, the 24th position is also completely unobstructed, and the BB1005 is also perfectly balanced due to the long corpus spine and without any approach from the top of the belt. The weight of approx. 4.2 kg is not exaggerated for a grown five and ensures that the body is calm and stable to the body.

The Brunel-Fivestring with its continuous neck, the massive neck and the optional string guide from the front, is the result of a lush sustain development and swinging pleasure arke maple ensures that the sound does not get too soft and soothing, but precisely and directly starts, Which is also important for fast-paced fusion carnivals.

Even the extender for the H-string is really usable. Actually one would only have to see under the deep H undefined booby, but actually the Brunel Fivestring also a cleanly defined A is effected. A certain surprise is provided by the electric touch, where the fat Alnico humbucker produces a rather airy and bony sound.

This is clearly due to the relatively high-pitched placement, where there are fewer bass components in the string amplitude. Convincingly, the 5M humbucker brings a clear, tidy sound with offensive growl. The narrow J-Pickup in the neck position is responsible for real bass depth and thickness, and the splitcoil fulfills this role with balanced broadband and a fine shot of offensive Alnico presence. The fact that its pole pieces protrude somewhat from the cap according to the handlebuck, could, in the case of a misdirected slap, lead to clattering noise when the strings hit the magnets.

The active OBP3 sound control is gaining power, resulting in different results in the different frequency bands. For the basses, for example, the excessively radical cuts are wasteful, because practically nobody really uses such dry settings. In the middle, the drastic effect is much more practical, especially since the switchable center frequency can still shift the striking nose, which makes the bundled testbass sound almost like a fretless.

On the other hand, extreme radical attenuations can be adjusted if an extratrocke radio sound or a soft, soft restraint is required. In the case of the height controller, the strong effect does not occur at all because it acts at quite high frequencies; This results in the detection of fine-metallic brilliance tips, but not hard and sharp presences.

Alternatives

Five-string electric basses with healthy equipment are already available in the most favorable price categories. But mostly these are vintage designs with screw neck, modern styled models with continuous neck construction are already scarce – and it goes directly into higher price categories. To this extent, the signature five-string strings, equipped with brand-name features, do not represent the mainstream. Ibanez, however, also builds similarly elaborate Neck-thru models, which are offered at attractive prices because of the more favorable production in Indonesia.

Summary

Bunny Brunel’s Signature model has a lot to offer: plenty of space for the fingers on the wide fretboard, a lot of bridge mass and a lot of sustain for lush swinging pleasure, a lot of tone with 24 freely accessible fret plus H string extender and many variations due to the rich Electric equipment – you get a lot of bass for the money, and the higher price class for a Korean LTD model should not be more astonishing.

Continue reading “LTD BB1005 Bunny Brunel Test & Review – The Blue Wonder”